Mc5

Frijid Pink's self-titled debut album is a slashing, seriously soulful example of late-'60s Detroit rock near its best. Although they never registered with critics or rock historians the way MC5 or the Stooges did, Frijid Pink had obviously learned something in the course of two years on the road, and with Mike Valvano producing, they were able to channel the excitement of their work onto the grooves of this album very neatly. Those who bought the number seven single "House of the Rising Sun" weren't disappointed with the bluesy boogie sound of "I'm on My Way" or the slowed-down Yardbirds approach of "Drivin' Blues" (somehow, when Kelly Green sang "My woman loves me" it seemed to matter), and even if "Tell Me Why" was a tuneless mess, Gary Thompson made up for it with a fuzz-out guitar performance that sounded like speaker burnout in slow motion…

San i java is the second compilation album by the Serbian garage rock/punk rock band Partibrejkers, released by Hi-Fi Centar in 1999.

The fate of the music underground tunnel where radio monopolies were confined these threatening cultural revolutions. Nova catching mix of cult songs like White Rabbit, the acid trip of fifteen years before Jefferson Airplane and Devotion by John McLaughlin, one of the pioneers of jazz-rock fusion. 1981 and the lyrical and modernist breakthroughs of the new wave, Tuxedomoon. And his French electronics Heldon, with already big his New York Material, the group of Bill Laswell, a fellow traveler.

Official reissue of ultra-rare 1970 wasted underground hard rock monster! Wild, loud, raw New Jersey hard psych beast that’s been a favorite target of record collectors, dealers and swamp dwellers for the past two decades, originally released on the Zonk! label .This album is bleeding with that authentic dirty basement sound built around a solid set of catchy heavy weight tracks influenced by the holy trinity of Cream, Blue Cheer and Hendrix! The bible of underground psych rock, Acid Archives, says this about it: “This legendary private press is rated as one of the ultimate local basement hard rock blowouts by many connoisseurs. Released as early as 1970, the end result has some similarities to MC5′s hallowed Kick out the Jams, but I find this a superior and more powerful album.

Born in Porto Alegre, South of Brazil, I was exposed to a strong mixed culture of music from Brazil, Argentina and Uruguay. I started to play guitar in my childhood, at the age 13 and under influence by Mark Knopfler, David Gilmour, Jimmy Page and Stevie Ray Vaughan. I took private lessons and few years later I started to teach in some music schools in Porto Alegre and by doing that I got involved in projects like guitar clinics, master classes and I also become a session player. Besides that, I was also studying music and I graduated in Music Performance and later on in Guitar & Technology, Music Pedagogy. I am also an orchestrator certified by Berklee USA.

For over 20 years, Bob Seger was one of the best mainstream rock & rollers in America, developing a distinctive body of honest, hard-rocking songs. More songs than can be put on this single-disc set, unfortunately.