The ensemble Les Arts Florissants, founded and for many years headed by American-French conductor William Christie, specializes in the music of the French Baroque. That might seem a poor fit with a greatest-hits collection like this one: surely anyone interested in the French Baroque will already have heard many of the selections included on this three-disc set, celebrating the group's 40th anniversary in 2019. Actually, though, the influence of Les Arts Florissants has been so fundamental that a survey of this kind is entirely appropriate. When Christie founded the ensemble in 1979, French Baroque music was a rare find on recordings. Les Arts Florissants has changed that completely, and Christie expanded the operation with an educational aspect that will keep the momentum going. The group contributed to the growing popularity of 17th century music outside of France, and the gorgeous Monteverdi recordings here (sample Il combattimento di Tancredi e Clorinda) are the equal of any. The three discs in the package are divided into the categories of Music and Theater, Sacred Music, and Secular Music, the last covering chamber-sized groups.
Presented in a stylish 4-CD box set, here is a comprehensive recording of one of the most enigmatic manuscripts in the history of European music, preserved in the museum at the Château de Chantilly, France. ‘Anything that can be sung, can be written in music notation,’ claimed an anonymous treatise on notation in the late fourteenth century. The harmonies thus ‘captured’ on parchment represent an apex in Western music, associated with the wealthiest courts in Christendom, called ‘decadent’ by some.
Avant la prise de la Bastille, Saint-Just, jeune étudiant en droit, démontre dans un long poème satirique, Organt, "l'analogie générale des mœurs avec la folie". La Révolution sera pour lui une remise en cause non seulement du monde politique, mais de la condition humaine. Son ultime raison d'être, il la livrera quelques jours avant de mourir dans ces phrases célèbres : "Je méprise la poussière qui me compose… Mais je défie qu'on m'arrache cette vie indépendante que je me suis donnée dans les siècles et sous les cieux.
I know of no Rameau work more colourful, more melodious, more replete with inventive vitality, wrote Gramophone in reviewing this 1973 premiere recording of the French Baroque masters 1735 heroic ballet Les Indes galantes. There is immense enthusiasm and spirit in this performance [and] some excellent singing Among the array of sopranos I was specially impressed by the full, bright ring of Rachel Yakar Anne-Marie Rodde: a good stylist and a clean, accurate voice, coping well with Rameaus florid detail The tenor Bruce Brewer is a real find for the lyrical French roles: his voice is very smooth and graceful In all, a set which no Rameau admirer should miss. Conducted by Rameau specialist Jean-Claude Malgoire, it is now being issued for the first time on CD.
