Nonetheless

Alive and Screamin' is the first live album by the Swiss hard rock band Krokus, recorded on their tour of the United States and Canada in 1986.

Originally from Montana, but now living, performing, and teaching in San Diego, this is Kristin Korb's first album. Not possessed with an especially powerful set of vocal chords, Korb nonetheless weaves delicate figures with a clear, cool, almost vibrato-less voice. Scatting, but not to the point where lyrics are entirely ignored, she's a pleasant, if not overwhelming, addition to the world of jazz vocals. Korb is joined on this session by the dean of bass players, Ray Brown, and his trio that features the outstanding, hard driving piano player Benny Green, an outstanding soloist in his own right. The trio is augmented by two veterans, Plas Johnson on tenor sax and Conte Candoli on trumpet. Johnson, unfairly, is pretty much known for his work on Henry Mancini's Pink Panther. He has done much more and better work, such as with T-Bone Walker…

On the back of significant media attention and a "disproportionately high press profile" generated by the band's previously released single "Motown Junk" from 1991, Generation Terrorists was long-awaited by critics thanks to the members' proclamation that their debut would be the "greatest rock album ever" and sell around sixteen million copies around the world, "from Bangkok to Senegal". Recorded between July and December 1991 and released in February 1992, the album did not meet these sales figures but it was nonetheless ultimately certified Gold in the United Kingdom[5] and also charted within the Top 100 in Japan.

Larkin Arnold, former CBS Records (Sony Music) senior executive VP, convinced Marvin Gaye to leave his flat in Belgium and sign with Columbia Records; the result would become the soul singer's last album before his untimely death. Of all his number one songs, this album's first release, "Sexual Healing," became his longest running number one single on the Billboard R&B charts (ten straight weeks).