Omartian

The five albums collected in this 2010 slipcase box – Foolish Behaviour, Tonight I'm Yours, Camouflage, Every Beat of My Heart, and Vagabond Heart – may not be Rod Stewart's best, but they are certainly the ones that capture the singer's '80s work…

Digitally remastered two-fer containing a pair of albums by the R&B act plus one bonus track. This release includes the #1 chart hit, "Rock The Boat", and the hits "Rockin' Soul", and "Love Corporation". The group named themselves after the business empire of Howard Hues and they recorded some excellent easy listening disco music in the mid-seventies, but they are remembered as a one-hit wonder. The group who may not have been among the most important disco groups, but whose music is definitely worth a listen and a definite addition to all soul lover.

"Thunder in My Heart" and "Easy to Love" barely nicked the Top 40, and of his eight chart hits from 1975 to 1981, these two were the weakest, but this disco album by the quirky singer, once again produced by Richard Perry, is listenable and has more than its share of good players. Olivia Newton-John songwriter Tom Snow co-wrote the title track with Sayer, while Albert Hammond helped out on the second song and follow-up hit. Half of the ten songs are Snow co-writes, with Hammond, Michael Omartian, Bruce Roberts, and others all contributing. The second Hammond/Sayer title, "I Want You Back," is a pleasant album track, but with Omartian on piano, Jeff Porcaro on drums, and Larry Carlton on guitar, Perry could just put the session on automatic pilot.

A family vocal group from Los Angeles, California. This is their second studio album, released by Warner in 1977.

Chicago's early-'80s return from the scrapheap did more than bring the group its biggest chart successes: it finally shattered the carefully maintained "faceless" image that had prevented any member from becoming an individual star. In the dawning age of video, the band needed a focal point, and bassist Peter Cetera – already the voice behind Chicago's soft rock smashes like "If You Leave Me Now," which had made significant inroads with the MOR audience – was the logical choice. So it wasn't a huge surprise that, following Chicago XVII, Cetera decided to use his new celebrity to strike out on his own.