Omartian

Rock Solid is a 1988 album released by The Commodores.Altho the critics are not very delighted from him, for me he has its very big value.The album includes many contemoparary jazz superstars and keep the style of the group.

This is Larry Carlton's second independent recording, which has finally been reissued on CD. The trademark 'Carlton' guitar sound is evident throughout, as is his toneless singing. The tracks here have a more earthy feel, as opposed to the over-produced stylings he would later employ; however, the overall results are disappointing. The guitar playing is certainly impressive (especially the distortion-filled "Free Way"), but there is simply not enough of it. Regardless, this is an interesting part of Carlton's beginnings and there are enough moments here that foreshadow his evolvement into one of the most distinctive voices in the history of electric guitar.

Building from the jazz fusion foundation of Pretzel Logic, Steely Dan created an alluringly sophisticated album of jazzy pop with Katy Lied. With this record, Walter Becker and Donald Fagen began relying solely on studio musicians, which is evident from the immaculate sound of the album. Usually, such a studied recording method would drain the life out of each song, but that's not the case with Katy Lied, which actually benefits from the duo's perfectionist tendencies. Each song is given a glossy sheen, one that accentuates not only the stronger pop hooks, but also the precise technical skill of the professional musicians drafted to play the solos.

Released in 1981, Breakin' Away is not only a great follow-up to This Time, it all but perfected the effort. With an amazing batch of songs, producer/artist chemistry, and top-level players, Breakin' Away became the standard bearer of the L.A. pop and R&B sound. "Closer to Your Love" comes off as a tougher, more confident version of the songs from the previous album. However, in short order, Breakin' Away assumes its own identity with brilliant results. Everything works so well here that the hit, the pleasing "We're in This Love Together," comes off as the weak link. "Easy," with its gorgeous and subtle Latin flourishes, has Jarreau's purposeful delivery coming off oddly poignant in its joy and beauty. The bittersweet "My Old Friend" has him giving a charming and understated reading with gorgeous synth signatures that speak volumes.

This album is a terrific compilation of Donna Summer's greatest hits. The album has primarily the disco songs that made her a smash success such as "Love To Love You Baby," "Hot Stuff," "Bad Girls," "Last Dance," and "Dim All The Lights." You also get her classic duet with Barbra Streisand, "No More Tears (Enough Is Enough);" and a group called Brooklyn Dreams helped Donna out on background vocals for "Heaven Knows." There are twenty (yes, twenty) songs on this single CD, so you don't get many 12" extended versions of the songs. To compensate for that loss, however, there is a second bonus CD included inside the jewel case with remixes of some great songs including "Hot Stuff," "I Feel Love," and "You're So Beautiful."

In 1988, Roberta Flack made a comeback after a long hiatus away from the recording studios with a new album of songs in the adult contemporary vein. Using a vast array of top session musicians whose names would easily fill a page and crowd out liner notes, "Oasis" was released to public indifference, even though the title track did hit #1 on the R & B charts.