What’s you get? Module #1 Mike Filsaime’s Evergreen Business Model, Module #2 Anatomy Of The Perfect webinar Module #3 The Sales Funnel Revolution
Add-on Bonus Module Mister X’s Webinar Mastery Video
Music of extraordinary range and power composed at the dawn of the Space Age, Ronald Stevenson’s 'Passacaglia on DSCH' was long claimed as the biggest single stretch of music ever written for piano. It is a veritable world tour of styles as well as a single-minded exploration of its generating motif, and rising star James Willshire, Who received five-star acclaim in 2011 for his Delphian debut disc of music by Rory Boyle, has the technique and vaulting ambition to match both the work's grandeur and its immense wealth of detail.
One of the best things about WordPress is how themes let you customize the way your site looks and works. Though there are lots themes available for free, you may want to create your own in order to communicate your unique online identity. In this workshop developer and trainer Joe Chellman shows you two approaches to creating a theme. You’ll learn how to create a child theme from an existing theme, using the current default theme, Twenty Twelve, as an example. You’ll also learn how take a single, static HTML file (with attendant CSS and image files) and build it into a WordPress theme with support for widgetized sidebars and custom menus.
James Newton Howard makes a rare but welcome foray into the horror genre with The Devil's Advocate, a chilling but majestic work highlighted by its stunning choral passages. While Howard's signature fusion of symphonics and electronics is the score's backbone, his use of the human voice most effectively communicates the evil lurking within lead Al Pacino, and his decision to avoid thematic consistency is another clever tool for keeping the listener off balance, with strange, ominous noises lurking in the background to further underscore the dark forces at work. Spooky, compelling stuff.
What makes a written work eternal—its message still so fundamental to the way we live that it continues to speak to us, hundreds or thousands of years distant from the lifetime of its author? Why do we still respond to an ancient Greek playwright's tale of the Titan so committed to humanity's survival that he is willing to endure eternal torture in his defiance of the gods? To the cold advice of a 16th-century Florentine exiled from the corridors of power? To the words of a World War I German veteran writing of the horrors of endless trench warfare?