Prestige Rudy

Soultrane is one of the essential albums in John Coltrane’s career. Recorded during the first year of his Prestige contract, between his critical service in Thelonious Monk’s quartet and his return to the band of Miles Davis, it finds the tenor saxophonist displaying a new level of both technical and conceptual refinement, dispensing torrents of notes that annotator Ira Gitler famously dubbed "sheets of sound." The Red Garland Trio, a key component on many Coltrane recordings of the period, is at its eloquent best; and the program, with two compositions from the early days of modern jazz, two lesser-known standards, and a recently penned requiem for the late Ernie Henry…

Miles Davis - Collectors' Items (1956) {2009 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 219 Mb | MP3 @320 -> 103 Mb
Full Artwork @ 300 dpi (png) -> 20 Mb | 5% repair rar
© 1956, 2009 Concord / Prestige | 0888072312227 | 24-bit remaster
Jazz / Bop / Cool / Hard Bop / Trumpet

From the new liner notes: “The session of March 16, 1956 is one of most beautiful, laid-back, floating-on-a-cloud experiences one can have. The first time I listened to it, I replayed it three times. Side note: ‘Vierd Blues’ is the same piece that appears on Miles’s Trane’s Blues, and there credited to John Coltrane, as it was when Trane first recorded it on a Kenny Drew session, years before. Until it was combined with the 1956 date, the Miles-Bird-Sonny session lay in the vaults. Meanwhile, on May 15, 1953 Bird and Dizzy Gillespie recorded their famed Massey Hall concert in Toronto. When that record was issued ‘Charlie Chan’ was used as Bird’s pseudonym. That’s how it came to be used for Collectors’ Items.”

Betty Roché - Lightly and Politely (1961) {Prestige OJCCD-1802-2 rel 1992}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 196 Mb | MP3 @320 -> 86 Mb
Full Artwork @ 300 dpi (png) -> 30 Mb | 5% repair rar
© 1961, 1992 Prestige Records / Fantasy | OJCCD-1802-2
Jazz / Vocal Jazz / Standards

It is ironic that what is arguably singer Betty Roché's finest all-around recording was also her last. For this session, which has been reissued in the OJC series on CD, Roché (backed by pianist Jimmy Neeley, guitarist Wally Richardson, bassist Michel Mulia, and drummer Rudy Lawless) improvises constantly and uplifts a variety of superior standards, including "Someone to Watch Over Me," "Polka Dots and Moonbeams," "I Had the Craziest Dream," and three songs by her former boss, Duke Ellington. It's recommended, particularly to jazz fans not aware of Betty Roché's musical talents.

Phil Woods, Gene Quill, Jackie McLean, John Jenkins, Hal McKusick - Bird Feathers (1957) {2013 Japan Prestige New Jazz Chronicle SHM-CD HR Cutting Series UCCO-5354}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 182 Mb | MP3 @320 -> 106 Mb
Full Artwork @ 600 dpi (png) -> 332 Mb | 5% repair rar | DSD / HR Cutting Remaster
© 1957, 2013 Prestige New Jazz / Concord / Universal Japan | UCCO-5354 | Mono | NJLP 8204
Jazz / Bop / Cool / Hard Bop / Saxophone

Reissue features the latest DSD / HR Cutting remastering and the high-fidelity SHM-CD format (compatible with standard CD player). Comes with a description. Features the original LP designs. A really great title for this classic late 50s set – as the record showcases a host of young alto players who've all come up in the generation of Charlie Parker – but who are each bringing their own sense of style to the instrument! There's hardly any "bird feathers" here – as the Charlie Parker modes are never used slavishly, but instead as a way to sprout wings and really take off in new direction – a difference that really comes through wonderfully on the tracks that feature two different altoists playing together.

John Coltrane - The Prestige Recordings (1956-58) [16CD BoxSet] {1991 Prestige Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 5.84 Gb | MP3 @320 -> 2.57 Gb
Full Artwork @ 300 dpi (jpg) -> 122 Mb | 5% repair rar
© 1991 Prestige / Fantasy | 16PCD-4405-2
Jazz / Hard Bop / Modal Jazz / Saxophone

The two and a half years represented in this mammoth collection made up a period of great activity and development for young John Coltrane. It was a time in which he worked in the Miles Davis Quintet, then joined Thelonious Monk for his historic Five Spot engagement, and then took his place in the legendary 1958 Miles Davis Sextet. It was a time in which he grew from a somewhat promising tenor player to a supernova about to burst upon the jazz world. It was also a span during which Trane traveled with great regularity to the original New Jersey location of the Rudy Van Gelder Studio, taking part in no less than 25 lengthy Prestige recording sessions.

Miles Davis - The Musings Of Miles (1955) {2008 Rudy Van Gelder Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 187 Mb | MP3 @320 -> 80 Mb
Full Artwork @ 300 dpi (png) -> 23 Mb
© 2008 Concord / Prestige | 0888072306516
Jazz / Bop / Cool / Hard Bop

This was a forerunner of the Miles Davis Quintet as it was his first session with Red Garland and Philly Joe Jones. Up to then his Prestige dates had been of the "all star" variety. (Oscar Pettiford fills that bill here.) By the fall, John Coltrane and Paul Chambers would come aboard to help form the first of a continuum of great Davis working groups. On "A Night in Tunisia" Philly Joe used special sticks with little cymbals riveted to the shaft.

John Coltrane - Soultrane (1958) {2006 Rudy Van Gelder Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 274 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 300 dpi (png) -> 10 Mb
© 2006 Concord / Prestige | 00888072300064
Jazz / Bop / Cool / Hard Bop

Soultrane is one of the essential albums in John Coltrane’s career. Recorded during the first year of his Prestige contract, between his critical service in Thelonious Monk’s quartet and his return to the band of Miles Davis, it finds the tenor saxophonist displaying a new level of both technical and conceptual refinement, dispensing torrents of notes that annotator Ira Gitler famously dubbed “sheets of sound.”