Relaxin’ with the Miles Davis Quintet is in every way a masterpiece. When the trumpeter (1926-1991) had formed the band in 1955, his colleagues—tenor saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones—were not considered jazz-world A-listers. And before conquering his narcotics addiction earlier in the Fifties, Davis had seen his once-promising career go into eclipse. By 1956, however, his sound, especially when muted, was an achingly personal counterpart to the vocals of Billie Holiday and Frank Sinatra. Relaxin’ (plus its Prestige companions, Miles, Cookin’, Workin’, and Steamin’) reestablished Davis, and elevated his quintet as the gold standard of small groups.
Coltrane’s breakout year, when his mature sound first grabbed ears and his own recordings began to sell consistently, was 1958. This release chronicles the exciting story session by session, featuring all 37 tracks Coltrane recorded as a leader or co-leader for the independent Prestige Records label in those twelve months. This collection captures him in creative high gear—developing the signature improvisational style that journalist Ira Gitler famously dubbed “sheets of sound.” The timely release marks the 70th year since the founding of Prestige and comes just after the 60th anniversary of these recordings.
Interplay, Prestige Records' new 5-CD set, containing early collaborative recordings of the peerless tenor saxophonist and visionary John Coltrane, serves two distinct purposes. The first is to offer an extraordinary collection of music that provides an excellent overview of the modern jazz scene during the fertile 1956-1958 period. The other - and arguably more important purpose to the legions of Coltrane faithful - is its rich delineation of the evolutionary process behind one of the most profoundly important and emotionally compelling artists this planet has ever seen.
In the 11th edition of the Concord Music Group’s remastered CDs originally issued by Prestige Records in the ‘50s and ‘60s, three more classics that engineer Rudy Van Gelder recorded and recently digitally upgraded. All three were recorded in the ‘50s and feature the crème de la crème of the jazz world—titans now; young upstarts then finding their voices. Each album includes original and new liner notes.
Bill Jennings was a very short man, but a giant on guitar—entirely self-taught, his attack and phrasing were astoundingly sax-like. As a jazz musician, he always insisted on soul as well as sound. That is not to say that he was not a perfectionist and a precisionist, for indeed he was. Although an ardent admirer of the great guitars in jazz, Jennings was always biased towards reeds and (admittedly a frustrated saxophonist) claimed that his style had been heavily influenced by Charlie Parker and Herschel Evans.
"I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.” —Rudy Van Gelder
“I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.” Rudy Van Gelder
"I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger." –Rudy Van Gelder