Prestige Rudy

Jack McDuff - The Honeydripper (1961) {2006 Prestige RVG Remasters Series}

Jack McDuff - The Honeydripper (1961) {2006 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 248 Mb | MP3 @320 -> 89 Mb
Full Artwork @ 300 dpi (png) -> 32 Mb | 5% repair rar
© 1961, 2006 Prestige / Concord | 00888072300354 | Prestige RVG Remasters Series | 24bit remaster | PRLP 7199
Jazz / Hard Bop / Soul Jazz / Hammond B-3 Organ

The blend of Hammond organ, tenor saxophone, guitar, and drums is one of the signature small-group sounds that have come to be identified with Rudy Van Gelder’s Englewood Cliffs, New Jersey studios in the last half-century. That sound is heard here in one of the definitive “organ-tenor” sessions. The Honeydripper, a blues-heavy program of impeccable groove and feeling, marks the moment at which Jack McDuff left his new star and featured sideman status behind and became a certified leading light and star-maker in his own right.
Coleman Hawkins - The Hawk Relaxes (1961) {2006 Prestige RVG Remasters Series}

Coleman Hawkins - The Hawk Relaxes (1961) {2006 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 227 Mb | MP3 @320 -> 87 Mb
Full Artwork @ 600 dpi (png) -> 174 Mb | 5% repair rar
© 1961, 2006 Concord / Prestige / Moodsville | 0025218810623 | Prestige RVG Remasters Series | 24-bit remaster
Jazz / Cool / Bop / Saxophone

“I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.” —Rudy Van Gelder
Sonny Rollins - Saxophone Colossus (1956) {2006 Prestige RVG Remasters Series}

Sonny Rollins - Saxophone Colossus (1956) {2006 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 259 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 600 dpi (png) -> 135 Mb | 5% repair rar
© 2006 Concord / Prestige | 0025218810524 | Prestige RVG Remasters Series | 24-bit remaster | LP 7079
Jazz / Cool / Bop / Hard Bop / Saxophone

“I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.” — Rudy Van Gelder
Sonny Rollins - Tenor Madness (1956) {2006 Prestige RVG Remasters Series}

Sonny Rollins - Tenor Madness (1956) {2006 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 241 Mb | MP3 @320 -> 84 Mb
Full Artwork @ 300 dpi (png) -> 28 Mb | 5% repair rar
© 2006 Concord / Prestige | PRCD-30044-2 | Prestige RVG Remasters Series | 24-bit remaster | PRLP 7047
Jazz / Bop / Hard Bop / Saxophone

I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.” — Rudy Van Gelder
John Coltrane - Lush Life (1958) {2006 Prestige RVG Remasters Series}

John Coltrane - Lush Life (1958) {2006 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 248 Mb | MP3 @320 -> 87 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 2006 Concord / Prestige | PRCD-8103-2 | Prestige RVG Remasters Series | 24-bit remaster | PRLP 7188
Jazz / Hard Bop / Saxophone

“I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.” —Rudy Van Gelder.
Thelonious Monk & Sonny Rollins - Thelonious Monk & Sonny Rollins (1954) {Prestige 50th Anniversary 20-bit K2 Edition}

Thelonious Monk & Sonny Rollins - Thelonious Monk & Sonny Rollins (1954) {Prestige 50th Anniversary 20-bit K2 Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 177 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 300 dpi (png) -> 35 Mb | 5% repair rar
© 1999 Prestige / Fantasy | PRCD-7075-2
Jazz / Bop / Hard Bop / Post Bop / Piano / Saxophone

“I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.” — Rudy Van Gelder
Miles Davis - Miles Davis And The Modern Jazz Giants (1954) {2008 Prestige RVG Remasters Series}

Miles Davis - Miles Davis And The Modern Jazz Giants (1954) {2008 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 186 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 600 dpi (png) -> 181 Mb | 5% repair rar
© 2008 Concord / Prestige | 0888072306554 | Prestige RVG Remasters Series | 24-bit remaster | PRLP 7150
Jazz / Bop / Cool / Hard Bop / Trumpet

Here are four tracks from one of the classic sessions of all time when a combination of giants gathered in Rudy Van Gelder's studio for an historic meeting on Christmas Eve afternoon and early dark, 1954. With Thelonious Monk and three-quarters of the Modern Jazz Quartet (Jackson, Heath, and Clarke) as his accomplices, Miles blends sophisticated harmonic knowledge with raw, spontaneous invention to produce extraordinary music. The two takes of "The Man I Love" are quite different within their basic similarity. An added starter in "'Round Midnight" done by the great Davis quintet of 1956–Coltrane, Garland, Chambers, and Philly Joe Jones.
John Coltrane with The Red Garland Trio - Traneing In (1958) {Rudy Van Gelder Remaster} [TR24][SM][OF]

John Coltrane with The Red Garland Trio - Traneing In (1958) {Rudy Van Gelder Remaster}
FLAC (Tracks) 24-bit/44.1kHz ~ 236 Mb | Digital Booklet | 37:52 min | RAR 5% Recovery
Jazz, Hard Bop | © 2007 Concord Music Group

Recorded in one day (August 23, 1957) at Rudy Van Gelder’s studio in Hackensack, NJ. This date of ballads and burners features the young tenor saxophonist John Coltrane leading a quartet comprised of pianist Red Garland, bassist Paul Chambers and drummer Arthur Taylor. Liner notewriter (original and reissue) Ira Gitler remarks, “In the ‘50s I was called upon to name many of the untitled songs at Prestige. Traneing In came to me because of the way [Coltrane] homed in after Garland’s opening solo [on the song].” This album is significant in that it took place halfway through Coltrane’s break with Miles Davis’ classic quintet of the ‘50s and it was the same year that the tenor saxophonist hooked up with Thelonious Monk to record the recently discovered live Carnegie Hall masterpiece.
Miles Davis - Bags' Groove (1957) {Rudy Van Gelder Remaster} [TR24][SM][OF]

Miles Davis - Bags' Groove (1957) {Rudy Van Gelder Remaster}
FLAC (Tracks) 24-bit/44.1kHz ~ 551 Mb | Digital Booklet | 46:14 min | RAR 5% Recovery
Jazz | © 2008 Concord Music Group

Bag's Groove was recorded in 1954 for Prestige Records but was not released until 1957. Most of the album was recorded on June 29, 1954, but the title track was recorded at one session on December 24 of the same year. Several of the tracks on the album were written by Sonny Rollins and would go on to become jazz standards in their own right. Recorded June 29 & December 24, 1954 in Rudy Van Gelder Studio, Hackensack, NJ.
The Miles Davis Quintet - Cookin'  with The Miles Davis Quintet (1956) {2007 Rudy Van Gelder Remaster}

The Miles Davis Quintet - Cookin' with The Miles Davis Quintet (1956) {2007 Rudy Van Gelder Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 203 Mb | MP3 @320 -> 77 Mb
Full Artwork @ 300 dpi (png) -> 13 Mb
© 2007 Concord / Prestige | 00888072301573
Jazz / Bop / Cool / Hard Bop


The Miles Davis Quintet - Cookin'  with The Miles Davis Quintet (1956) {2007 Rudy Van Gelder Remaster}

Cookin’ With the Miles Davis Quintet is the first classic album of four total that emerged from two marathon and fruitful sessions recorded in 1956 (the other three discs released in Cookin’s wake were Workin’, Relaxin’ and Steamin’). All the albums were recorded live in the studio, as Davis sought to capture, with Rudy Van Gelder’s expert engineering, the sense of a club show á la the Café Bohemia in New York, with his new quintet, featuring tenor saxophonist John Coltrane. In Miles’s own words, he says he called this album Cookin’ because “that’s what we did—came in and cooked.” What’s particularly significant about this Davis album is his first recording of what became a classic tune for him: “My Funny Valentine.” Hot playing is also reserved for the uptempo number “Tune Up,” which revs with the zoom of both the leader and Trane.