When this original series first came to town, it boasted a breath of fresh air amidst a tiring tide of 60s garage punk leftovers. Lovingly compiled, long-gone 45s tell of innocent, adolescent ambitions while laying the foundations for something much bigger. The blueprint for punk rock, metal, indie pop and grunge lay here. Adolescent angst, juvenile fun; call it what you like, but teenage kicks don t get better than this!! Painstakingly restored from long forgotten original vinyl artefacts, this handsome edition of Fuzz, Flaykes and Shakes collects together all 7 original volumes, complimented by a 76-page perfect bound booklet crammed with background liners, rare photos and original memorabilia.
Odessey and Oracle was one of the flukiest (and best) albums of the 1960s, and one of the most enduring long players to come out of the entire British psychedelic boom, mixing trippy melodies, ornate choruses, and lush Mellotron sounds with a solid hard rock base…
Odessey and Oracle was one of the flukiest (and best) albums of the 1960s, and one of the most enduring long players to come out of the entire British psychedelic boom, mixing trippy melodies, ornate choruses, and lush Mellotron sounds with a solid hard rock base…
A psychedelic blues-rock outfit whose only album, 1969's Please Tell a Friend, has enough interesting moments, given the era's production quirks, to make it a highly sought after period piece, Sugar Creek originated when John Edwards (who later, as Jonathan Edwards, had a big hit in 1971 with "Sunshine") and guitarist Malcolm McKinney met while both were attending Ohio University. The two drafted in Malcolm's brother Tod McKinney and began playing music together as St. James Doornob, becoming the Infinite Doornob when Joe Dolce and Gary Gans came over to join from the Finite Minds. Moving east to Boston, the band built a fair following on the New England/New York club circuit, changing its name yet again, this time to Headstone Circus, and eventually settled in as Sugar Creek…