Great UK underground heavy psych rock album from 1969 recorded by a trio from Lancashire. Well structured songs with fine melodies similar in places to Cream but with the odd swathe of mellotron lending an early progressive touch. Much loved by collectors of UK underground music this album is well worth checking out…Highly recommended.
Great UK underground heavy psych rock album from 1969 recorded by a trio from Lancashire. Well structured songs with fine melodies similar in places to Cream but with the odd swathe of mellotron lending an early progressive touch. Much loved by collectors of UK underground music this album is well worth checking out…Highly recommended.
Vanilla Fudge took a more basic stance with Rock 'n' Roll, bringing in Aerosmith's first and the Velvet Underground's last producer, Adrian Barber, to replace Shadow Morton. Guitarist Vinnie Martell sings lead on "Need Love," and it is a quagmire of rock sounds, offset by Mark Stein's "Lord in the Country." The band then goes after a good but non-hit Carole King/Gerry Goffin number, "I Can't Make It Alone." It has that vibe that made "Take Me for a Little While" so important and so timeless, but there's just something missing. This is Vanilla Fudge's trademark sound looking for a new personality. The band started in 1967 by releasing an album of seven cover tunes done Vanilla Fudge-style. Along with Cream, Jimi Hendrix, and a handful of other bands, their sound helped shape Top 40 radio in the '60s while heavily influencing Deep Purple and what that group would do for the '70s.
I don't remember where I picked up this hard to find CD, it might have been in Cambridge, MA. I don't know much about the release other than it contains the first two volumes of a 3 LP box set of the same name. Some sources I have seen indicate that it is a bootleg. The tracks are a mix of live BBC recordings, unreleased acetates, and rare versions of British sixties psychedelic classics. Many of the tracks have now resurfaced as part of recent artist-centred compilations but at the time I had heard very few of these tracks. The liner notes are sparse and simply provide a few words about the origin of each track, Pink Floyd on the front cover and Eddie Phillips of the Creation on the back cover. The sound is so-so but listenable considering the varied sources. A good cross-section of psych acts of the period. Originally released in 1990 as a box of 7" singles, this CD features rare singles; radio sessions and tracks previously officially unreleased.
This set contains all five volumes of the legendary We Can Fly series in an individually numbered limited edition of 1000. There are over 130 tracks here, which have been remastered for this release, sounding better than ever. Although a few pops and clicks remain, showing up the vinyl source of the material, the overall sound quality is very good.
A double CD set tracing the best of the one and only Pretty Things. This compilation takes us through the period in the late sixties and early seventies when the band were at the cutting edge of the Psychedelic movement. Includes 'SF Sorrow is Born', 'Parachute' and 'L.S.D'. Highly recommended for anyone who loves the Beatles' Revolver, Pink Floyd's Piper at the Gates of Dawn, and the Dukes of Stratosphear.
Since the late 90s, Amorphous Androgynmous AKA The Future Sound Of London AKA Garry Cobain and Brian Dougans have been weaving together two-hour broadcasts of their favourite records that could be loosely classed as 'Cosmic Space Music'. After ten years of messing with our heads via the wireless, they now pick their choicest mind-melting moments on what promises to be a fine series of double CDs. It's a collection that perfectly runs the gauntlet from kitsch (Lord Sitar's I Am The Walrus) to uber cool (Miles Davis or Can). Donovan, Osibisa, Can, Miles Davis, Mahavishnu Orchestra, Hawkwind and many more.
Since the late 90s, Amorphous Androgynmous AKA The Future Sound Of London AKA Garry Cobain and Brian Dougans have been weaving together two-hour broadcasts of their favourite records that could be loosely classed as 'Cosmic Space Music'. After ten years of messing with our heads via the wireless, they now pick their choicest mind-melting moments on what promises to be a fine series of double CDs. It's a collection that perfectly runs the gauntlet from kitsch (Lord Sitar's I Am The Walrus) to uber cool (Miles Davis or Can). Donovan, Osibisa, Can, Miles Davis, Mahavishnu Orchestra, Hawkwind and many more.
In 2006 Community Radio 3CR and Wakefield Press produced the Tomorrow Is Today: Australia In The Psychedelic Era, 1966-70 book documenting and celebrating the Australian youth culture of the late 1960s. In June 2007 3CR, Weather Records and Off The Hip released a double CD featuring 19 of Australia’s finest psych, garage and indie bands covering classic songs from acts such as The Masters Apprentices, Love Ones, The Twilights and Marty Rhone.