Pur ti Miro

This is the sequel to the best selling “Bach Arias and Duets” featuring two of Australia's leading exponents of Baroque repertoire, Sara Macliver and Sally-Anne Russell. This recording is a collection of some of the most beautiful and charming works written for a soprano and alto, featuring the haunting Pergolesi Stabat Mater.

This 6 CD set contains an unrivalled collection of 100 favourite romantic classics, performed by some of the world’s leading artists. Among them are the singers Maria Callas, Natalie Dessay, Angela Gheorghiu. Barbara Hendricks, Luciano Pavarotti and Kiri Te Kanawa; instrumentalists Leif Ove Andsnes, Martha Argerich, Jacqueline du Pre, Yehudi Menuhin, Anne-Sophie Mutter and Maxim Vengerov; plus conductors Mariss Jansons, Riccardo Muti, Antonio Pappano, Andre Previn, Sir Simon Rattle and Herbert von Karajan.

Elin is Universal Classics and Jazz's first artist to appear on the resurrected Heliodor label with this 2007 Baroque full length. Elin's crystal clear voice, with it's blend of tonal beauty and expressive intensity is the ideal instrument to reconnect modern listeners with Baroque music. 'Eternal Light' is conducted by Harry Christopher's, founder of hugely successful choral group the Sixteen. Elin is accompanied by Orchestra of the Age of Enlightenment.

With 40 tracks, and over 2½ hours of classical favourites, this double album features the best and most popular names in classical music, ranging from present day superstars to classical legends. An instant collection of the most commercial and beautiful classical music that will have a wide appeal.

The Stockholm Chamber Brass here presents a well-played program of Renaissance music arranged for modern brass, with the pluses and caveats that implies. The music’s fantastic and very well-selected: Susato, Dowland, Monteverdi, Gesualdo. The program itself smartly combines these, moving from lively dances and martial airs to arias and slow works of great beauty. Many tracks add percussion to the mix. The Monteverdi ‘moresca’ (track 25) is irresistible. The brass ensemble plays marvelously throughout, especially in slower, more introspective selections. Only the very first track, ‘La Spagna’, features a trombone solo that I think sounds hurried. Thoughtfully, one trumpet is on the far left and the other on the far right, and even more thoughtfully, the booklet tells you who’s who.