Rattle

For Simon Rattle, Jean Sibelius is “one of the most staggeringly original composers that there is”. And indeed, this music has a unique musical language whose many beauties are particularly succinctly conveyed in Sibelius’s seven symphonies. There is sonorous warmth as much as there is austere Nordic folklore. Moreover, there is a conceptual boldness that takes the listener on exciting musical journeys of discovery. In 2015, to celebrate the 150th anniversary of Sibelius’s birth, Simon Rattle and the Berliner Philharmoniker presented the cycle live, which was met with unanimous delight by audiences and critics alike. “The Philharmoniker show that with them and Simon Rattle, Sibelius is in excellent hands,” wrote the Berliner Zeitung, “because the orchestra has that astringency and sheer power which is so important for this kind of music.”

This is an upgrade from my previous post. It's the audio demux of the Rattle And Hum DVD 1999 Paramount Home Video in 16bit/48kHz. Contains 11 songs not included on the album "U2: Rattle and Hum". I used the AC3 6ch track (instead of 2ch) and converted it to stereo using foobar2000 (Convert 5.1 to stereo). The 6ch is more powerful and bright than the 2ch, all the instruments and voice are very clear.

“For Mahler,” Sir Simon Rattle has said, "the symphony is where you can tell the most important truths.” The composer’s works have been crucial to his career – indeed, it was the epic Symphony No. 2 that first inspired him to become a musician. Spanning nearly two decades, these recordings of the complete symphonies, including Deryck Cooke’s completion of No. 10, were made with the two ensembles most closely identified with Rattle’s name: the City of Birmingham Symphony Orchestra and the Berliner Philharmoniker.

It was something of a surprise to be reminded that this recording was made thirty-eight years ago. I've been re-listening to it and Rattle's later recording with the Berlin Philharmonic recently and found my memories confirmed. The Berliners are a great orchestra, make a sumptuous sound, and Rattle is on fine form. And yet, it is the intensity of the Bournemouth performance that is the more gripping for me: it is constantly on the edge, just as Mahler was as he struggled to get the outline of this intensely personal music onto paper in the last summer of his life.

In late 2017, Sir Simon Rattle and the Berlin Philharmonic toured Hong Kong, China, South Korea, and Japan, and their valedictory performances together have been gathered for this lavish 2018 set, packaged as a hardback book in the oblong format of previous releases on the orchestra's label, and containing five hybrid SACDs and one Blu-ray. (While the audio recording of Ravel's Piano Concerto in G major, featuring pianist Seong-Jin Cho, was recorded in Berlin just prior to the tour, her Hong Kong performance appears on the Blu-ray along with performances from the concerts in Tokyo, Hong Kong, Wuhan, and Seoul.)

Elgar's violin concerto - distinctively passionate and nostalgic - is one of the great late-Romantic concertos. "It is a huge piece," says Renaud Capuçon "both in terms of it's length and it's romantic and noble nature." This is Capuçon's first recording with Sir Simon Rattle, here conducting the London Symphony Orchestra. When Rattle chose Elgar's Enigma Variations for his inaugural concert as the LSO's music director in 2017, he was celebrating the close historic links between the composer and the orchestra. Not only did the LSO accompany Fritz Kreisler in the premiere of the violin concerto in 1910, Elgar became it's Principal Conductor the following year. Paired with the concerto on this album is his violin sonata, first performed in 1919. Renaud Capuçon, who calls the sonata "a work of nobility and tenderness", is joined by one of the leading British pianists of today, Stephen Hough.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin - and beyond: On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new.