Road Venue

Any new compilation CD starring Yo-Yo Ma is certain to please. This master of the cello takes the listener through so many types of music that the ear and mind never tire. The present selection is billed as a sort of "musical autobiography," and, indeed, it gives us a tour of Ma's musical life. The Silk Road Project is represented by Zhao's "Swallow Song," with its eerie, fascinating soundscape (specially re-recorded for this CD). We also accompany Ma on his excursions into the world of the baroque cello with Vivaldi or of the Finnish folk song (by Mamiya, a first recording). There are Gershwin's languid Second Prelude, with its intimations of the song "Summertime," and an all-new recording of a nine-minute heart-breaker by Astor Piazzolla ("Soledad"). Ma also gives us more familiar Brahms, Franck, and Saint-Saens. The compilation's mellow 65 minutes offer relaxing, beautiful music, all exquisitely played. Ma is joined by the best: Emanuel Ax, Kathryn Stott, John Williams (who plays piano on his own "Going to School" from Memoirs of a Geisha), Isaac Stern, and Claudio Abbado. This is a veritable Who's Who of superb musicians.

Carl Nielsen (1865-1931) is Denmark's most famous composer. He studied with Niels Wilhelm Gade at Copenhagen Conservatory and went on study trips to Germany, Austria, Italy and France. Nielsen was court music director in Copenhagen and taught at the Royal Danish Conservatory. His works display strong counterpoint and polytonality as well as traditional melody shapes.

In the golden age of orchestral recording – the 1950s cusp between mono and stereo – American labels piled into London and Vienna after an aggressive union priced their own musicians out of work. At Abbey Road, players worked 30 days on the trot, three sessions a day, to feed a burgeoning market for classical music. In Vienna, the Philharmonic (exclusively contracted to Decca) performed under six different names for other labels.

An aspect of the jazz music business that tends to be ignored is touring. There are only so many venues with budgets and booking agents. Artists who manage to find both are either popular sensations or lucky, especially in a country as spread out and diverse as the United States. It takes a lot of motivation, courage and a devil-may-care attitude to strike out on the road on your own. Brass wizard John Raymond felt that the investment he and his Real Feels bandmates had put into their music should be heard by a larger audience, no matter the cost.

3CD compilation focussing on the mid-60s haunt of the emergent folk and blues scene in London. Featuring a host of big names who visited the venue many of whom went on to national success. Les Cousins was a folk and blues club in the basement of a restaurant in Greek Street, in London’s Soho, which became a home and the epicentre for the folk revival of the mid-1960s, a venue where musicians met and learnt from each other. As such, it was influential in the careers of so many pioneers – Al Stewart, Davey Graham, Bert Jansch, John Renbourn, Sandy Denny, John Martyn, Alexis Korner, Strawbs, Roy Harper, Paul Simon and many others.