Opinions differ on whether he is the heir of Horowitz, Richter or Kissin but in that line of giants, critical opinion is unanimous: Daniil Trifonov is THE great Russian pianist for the 21st Century. In the past thirty years, the honour of a live Carnegie Hall recital recording has been bestowed by DG upon only two other pianists: Mikhail Pletnev and Lang Lang. Daniil Trifonov now joins this elite company for his very first recording on the Yellow Label.
Bruckner’s majestic Symphony No. 8 overflows with lavish themes and rich sonorities, representing the composer at his grandest, whilst the Symphony’s occasional title ‘Apocalyptic’ alludes to an underlying tone of solemnity. This strong and idiomatic reading comes from a live-to-air BBC recording dating from October 1981. This is very early days in the Orchestra’s long association with Tennstedt. In true Tennstedt fashion, the sheer beauty of the sound and opulence of the textures are awe-inspiring in this triumphant interpretation. Recorded live at the Royal Festival Hall, London, on 29 October 1981.
In the summer of 1917, Chicago businessman Cyrus McCormick, Jr., the farm machine magnate, met ̀the 26-year-old composer Sergei Prokofiev while on a business trip to Russia. Prokofiev was unknown to McCormick, but the composer recognised the distinguished American’s name at once, because the estate his father had managed owned several impressive International Harvester machines. McCormick expressed an interest in the composer’s new music, and he eventually agreed to pay for the printing of his unpublished 'Scythian Suite'. He also encouraged Prokofiev to come to the United States, and asked him to send some of his scores to Chicago Symphony Orchestra music director Frederick Stock. Prokofiev made his debut with the Chicago Symphony the following season, playing his First Piano Concerto and conducting the orchestra in his Scythian Suite in December 1918, both U.S. premieres and returned to Chicago four more times.