"…Recorded in 1955 and 1958, respectively, these performances with the phenomenal Boston Symphony Orchestra sound magnificent with the spacious separation and the close simulation of a real orchestral environment made possible by DSD and multichannel remastering. Beyond the superb audio quality, these recordings are fascinating documents of Münch's elegant interpretations of Schubert…."
"…The whole disc is a great success. Recording quality is first rate, with the necessary clarity tempered by warmth and just the right amount of resonance. Excellent notes are by Dr. Christopher Hailey. Recommended, even if you still find Webern hard work." ~musicweb-international
Opera never has shown its contrasts more than in this Rigoletto from the Sächsische Staatskapelle in Dresden. The production is full of harsh conflicts, which Verdi himself implies by filling this tragedy with so much cheery music. All of the performances here are outstanding. Željko Lučić vanquishes the title role with his powerful voice and emotive acting, which makes him riveting if slightly painful to watch as he is emotionally destroyed.::–Rob McGinness, ClassicsToday.com
Conductor Hannu Lintu and the Finnish Radio Symphony Orchestra are offering a full program of classic orchestral works by Jean Sibelius (1865– 1957). Year 2015 marks the 150th Anniversary of the birth of Jean Sibelius (1865– 1957), also known as “Finland’s national composer”.
Gustav Mahler represents one of the keenest losses to early classical recordings. Despite his present fame as the last of the great German symphonic composers, during his lifetime Mahler was better known as a profoundly influential conductor. His obsessive intensity on the podium fueled headstrong, expressive performances of huge individuality. Mahler was the last and perhaps most extraordinary of all the authentic late-romantic conductors, who never hesitated to mold or even rewrite music to their own taste. Mahler records would provide an enormously valuable key toward reconstructing and understanding the lost performing style of his era. And yet, Mahler died in his prime in 1911, at age 51, without having recorded.
So what's this? Nothing less than Mahler himself at the keyboard–and in digital stereo!