Bernard Haitink & London Symphony Orchestra started their Bruckner cycle with this album. Haitink’s previous releases on LSO Live (Beethoven: Complete Symphonies & Triple Concerto & Strauss: Ein Alpensinfonie) are very good, & now he continues this line. Bernard Haitink is internationally renowned for his interpretations of Bruckner and is widely recognised as the world’s leading Bruckner conductor.
REFERENCE RECORDINGS® proudly presents Anton Bruckner’s Symphony No. 7, in a new interpretation from conductor Manfred Honeck and the Pittsburgh Symphony Orchestra. It is coupled with the first recording of Mason Bates’ Resurrexit, which was composed in 2018 on a commission from the Pittsburgh Symphony Orchestra to celebrate the sixtieth birthday of Maestro Honeck. This album was recorded live in 2022 in beautiful and historic Heinz Hall, home of the Pittsburgh Symphony Orchestra, in superb audiophile sound.
REFERENCE RECORDINGS® proudly presents Anton Bruckner’s Symphony No. 7, in a new interpretation from conductor Manfred Honeck and the Pittsburgh Symphony Orchestra. It is coupled with the first recording of Mason Bates’ Resurrexit, which was composed in 2018 on a commission from the Pittsburgh Symphony Orchestra to celebrate the sixtieth birthday of Maestro Honeck. This album was recorded live in 2022 in beautiful and historic Heinz Hall, home of the Pittsburgh Symphony Orchestra, in superb audiophile sound.
The latest high quality recording of the profound "Bull 3" recorded with LGO in 1963, for the 10th anniversary of Sanderling's death! A masterful performance full of the German spirit of yesteryear. New reissue from the original ETERNA analog tape. World's first SACD release! Mastered only in the analog domain and directly converted to DSD! The 11th SACD hybridization of the latest reissue project of ETERNA's original analog tapes in Japan, the latest SACD release of Kurt Sanderling's (1912.9.19-2011.9.18) early session recording of Bruckner's Symphony No. 3, which was made 10 years after his death. This piece was a specialty of Sanderling's, which he conducted many times during his life, and several later live recordings of the piece are available in addition to this recording.
…There is no doubt in my mind that this Kullervo from Segerstam and his team is exceptionally fine and in the first rank of the ever-growing list of recordings. Spano's deeply thought and excellently performed account would also merit a first ranking. But I find Segerstam to have produced the most psychologically realistic Kullervo performance, thanks to the depth of characterisation uncovered by Hakala and Isokoski in the seemingly unpromising and dificult texts of the Kalevala verses. Segerstam comes close to Berglund's powerful first recording from 1970, which allowed many of us to encounter this unforgettable work. The state-of-the art fidelity of Ondine's engineering is a great advantage in itself. While quintessentially Finnish, Ondine's production nevertheless fulfils Sibelius' intent to make this music universal in appeal. Warmly recommended.