Silent Movies

Despite its nearly four-hour running time, this is a uniquely personal look at movies from one of the late 20th century's great directors and film historians. The film consists of head & shoulder shots of Scorsese speaking into the camera for a minute or two, followed by 10-15 minutes of film clips with Scorsese voice-over. Scorsese approaches the films in terms of how they affected him as a director foremost and as a storyteller/film fan second. Segments include "The Director as Smuggler," "The Director as Iconoclast", and so on. The Journey begins with silent masters like D.W. Griffith and ends in 1969 - when Scorsese began to make films; as he says in closing, "I wouldn't feel right commenting on myself or my contemporaries."

Fred Goodridg

A young boy watches his parents killed by a thief in a Santa suit. He spends his youth in an orphanage, staying quietly to his self, but his mind is further bent by an ironhanded Mother Superior. He finally gets a job at a local store, where he finally snaps when he is required to wear a Santa suit, and goes on a killing spree that leads him slowly back to the orphanage.

In a future Earth barren of all flora and fauna, the planet's ecosystems exist only in large pods attached to spacecraft. When word comes in that the pods are to be jettisoned into space and destroyed, most of the crew of the Valley Forge rejoice at the prospect of going home. Not so for botanist Freeman Lowell who loves the forest and its creatures. He kills his colleagues taking the ship deep into space. Alone on the craft with his only companions being three small robots, Lowell revels in joys of nature. When colleagues appear to "rescue" him, he realizes he has only one option available to him.