Something Else

When taught as a series of skills, anyone can learn the techniques of being funny.

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Editors have never been a band who do what’s expected. When they emerged in the early 2000s, university friends from Birmingham, they were swept into a wave of indie groups with whom they had little in common beyond playing guitars.

In the heart-pounding thriller “Man on a Ledge,” Nick Cassidy (Sam Worthington) makes a desperate and life-threatening move to prove his innocence after he is framed for the theft of a rare, prized diamond. Recently escaped from prison and with nowhere else to go, Nick climbs onto the ledge of a towering skyscraper, inviting the eyes of New York City to anxiously watch as one wrong step could mean plunging to his death. But as one police negotiator soon learns, Nick’s daredevil stunt, captivating the eyes of the public and media, masks a dangerous ploy to reveal the truth about his tarnished name.With the help of his brother and with time running out, Nick’s intricate plan must work perfectly, but when you’re on the 25th floor ledge of a building, going down takes on an entirely more hair-raising meaning.

In the mid 1800s, when Charles Darwin published his theory of evolution, one species of animal remained a mystery; where did birds fit on his evolutionary tree?
Several years later his friend and colleague, Thomas Henry Huxley, came up with an answer. Huxley had recently examined a new fossil from southern Germany called Archaeopteryx which was causing considerable excitement in palaeontological circles. There were clear signs of feathers and it was obvious this was the earliest fossil evidence of a bird ever found. Huxley noticed something else as well. To him it looked as though the skeleton bore a striking similarity to that of a family of meat eating dinosaurs known as therapods.

It’s no wonder that a pianist with such a large sonic vision of her own instrument has an orchestral way of imagining sound and sonic associations, with her dedications to both the solo and the large ensemble formats complementing each other. Unexpected could be her interest to the song imprint and the voice (here delivered to the singers Bjork Nielsdottir and Laura Polence), because the impulse to work with it comes from other concerns and interests, but the Slovenian artist values timbre and acoustic quality in a special way: her love for vocal music is understandable.