Uppsala Stadshotell Brinner Igen. is the second album by Rävjunk, Scandinavia's best punk-psych band from Uppsala, Sweden. This second album includes tracks from rare singles and EPs released from 1979-1980, as well as completely unknown tracks picked by Peter Ericson (drums). Shadoks Music and Ericson were working on this album for weeks, and just before the album was done, Peter sadly passed away. This album is in memory of Peter Ericson, the great Swedish drummer and singer from Rävjunk. Uppsala Stadshotell Brinner Igen. is a great selection of songs influenced by the early pre-punk period ala Stooges/MC5, as well as the longer jamming guitar tracks of German kraut and space-rock bands. They also saw the heavy psych movement as a bright star…
House on Hill may be a new recording, but the material is not. Virtually everything here was written, according to his liner notes like Keith Jarrett, Brad Mehldau writes about himself best in a session done in 2004 which yielded 18 songs with bassist Larry Grenadier and drummer Jorge Rossy. The decision was made to split the sets into originals and covers. The covers became 2004's Anything Goes.
Since 1951 finds Gold continuing his trend of writing catchy, jangly pop songs, many of which are reminiscent of Del Amitri, like opener “Can Anybody See You,” “First Time in Love,” and “The Secret”; there’s also a definite Jimmy Webb vibe to “The Best of Everything.” In fact, there are several stylistic tips of the hat to other pop musicians, like Steely Dan on “Back on Top” or the Beach Boys on “Teardrops.” Creatively, the only notable misstep is “Cyberspace,” which, it must be said, sounds like an old fogey trying to keep up with the kids; fortunately, as experiments go, the instrumental “Main Title” is decidedly more successful, accomplishing its goal of creating the feel of a motion picture score.
Christian Ludwig Boxberg (1670-1729) belongs to the 'lost' generation of composers between Schütz and Bach. For decades, the revival of baroque music has concentrated on these two poles of German Baroque music to such an extent that everything between them can appear imperfect by comparison. Boxberg's 'Sardanapalus', however, is by no means imperfect. On the contrary, we experience here a remarkable synthesis of the various European national styles. Alongside German influences, those of both French and Italian opera are unmistakeable. The very witty libretto was written by Boxberg himself, and retells Diodorus's history of the profligate Assyrian King Sardanapalus who, far from being interested in ruling the land, liked to put on makeup, parade about in women's clothing and give in to acts of salaciousness with both women and men.
A beautiful, melancholy melody that is loved across borders and time.Jazz Bar, Japan's best-selling jazz compilation, is back for it's 24th year.In the world of jazz, it is believed that great performances produce great songs. The famous and legendary jazz saying, 'Jazz has only great performances without great songs,' aptly expresses this. There is no doubt about this. If you listen to Miles' famous 'Autumn Leaves,' you can perfectly understand how the chanson 'Autumn Leaves' quickly became a great jazz masterpiece. However, I think there is also the opposite idea that 'great songs produce great performances,' and that it's okay to have that. I always select songs for 'Jazz Bar' with that sentiment in mind.
The J.S. Bach Foundation has embarked on a remarkable undertaking: over a period of some 25 years, the Foundation will perform the complete vocal works by Johann Sebastian Bach (1685-1750). Each month, one of the over 200 Bach cantatas is performed in the idyllic town of Trogen in Appenzell, Switzerland. With a rhythm of 12 cantatas per year, the project is estimated to conclude in the year 2030. All introductory workshops, concerts and reflection lectures on the cantata texts are recorded; the texts of the lectures are published in a continually expanding Bach Anthology. The main aim of the J.S. Bach Foundation's ambitious project is to provide a living Bach experience for today's listeners and to deepen our understanding of the great composer's works.