Teddy Wilson Mosaic

Teddy Wilson - The Complete Verve Recordings Of The Teddy Wilson Trio (1997) {5CD Box Set, Mosaic MD5-173 rec 1952-1957}
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© 1952-57, 1997 Verve / Mosaic Records / PolyGram | MD5-173
Jazz / Mainstream Jazz / Swing / Piano

Limited Edition of 7500. Includes a 20-page booklet. By 1952, Teddy Wilson's flawless swing style had already been fully formed for at least 17 years, and it would not change at all during the remaining three decades of his life. Wilson's performances were predictably excellent, but predictable nonetheless. This limited-edition five-CD set has all of the pianist's Verve trio recordings, which includes six-and-a-half former LPs (the half was an appearance at the 1957 Newport Jazz Festival), a set only released previously in Japan, and a live date that had never come out before.

Chu Berry - Classic Chu Berry Columbia and Victor Sessions (2007) {7CD Set Mosaic MD7-236 rec 1933-1941}
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© 1933-41, 2007 Columbia / Victor / Sony BMG / Mosaic Records / BMG | MD7-236
Jazz / Swing / Tenor Saxophone

This is a comprehensive collection with countless pivotal sessions. It features 203 separate recordings on seven CDs and collects both the sessions led by Chu Berry and other sessions where he contributed significantly as a sideman. You can study his remarkable surefootedness as a soloist; remember an era where evolution in the music was running rampant and Chu Berry's tenor saxophone was one of the things making it run.

Various Artists - The Complete Master Jazz Piano Series (1992) {4CD Box Set Mosaic MD4-140 rec 1969-74}
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© 1969-74, 1992 Mosaic Records | MD4-140
Jazz / Bop / Stride / Swing / Piano

During a five-year period the Master Jazz label recorded 11 swing-based pianists in solo settings. Although the label went under later in the decade, the recordings were treasured by collectors. Mosaic, on this four-CD set, brought back all of the music from the original five-volume Master Jazz Piano series, adding two unissued selections and a full album released separately of Ram Ramirez's playing. In addition to Ramirez (who is heard on 13 numbers), there are 13 performances by Earl Hines, four apiece from Claude Hopkins, Cliff Jackson, Keith Dunham, Sonny White, Teddy Wilson, Cliff Smalls and the obscure Gloria Hearn, eight by Jay McShann and two from Sir Charles Thompson. Most of these pianists (other than Hines and Wilson) rarely recorded during this period in their careers, making this box very important both musically and historically.

Various Artists - Boogie Woogie and Blues Piano (1935-1941) {3CD Set, Mosaic Select MS-030 rel 2008}
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© 1935-41, 2008 Mosaic Records / Sony BMG | MS-030
Jazz / Blues / Jazz Blues

While most Mosaic limited-edition boxed sets concentrate on recordings by an individual bandleader or a single record label, Boogie Woogie and Blues Piano features sessions by a number of different artists from several labels active in the 1930s and early '40s, when boogie-woogie was very popular. Fifteen different pianists are featured (if one counts Lionel Hampton playing two fingered-duo piano in a band setting), though it is the giants of the genre, Meade "Lux" Lewis, Pete Johnson, Albert Ammons, and Jimmy Yancey who are given the most exposure.

Lionel Hampton - The Complete Lionel Hampton Victor Sessions 1937-1941 (2007) {5CD Set Mosaic MD5-238}
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© 1937-41, 2007 Mosaic Records / BMG | MD5-238
Jazz / Swing / Vibes

Garnished with a fistful of alternate takes, the 2007 release of Mosaic's 107-track Complete Lionel Hampton Victor Sessions 1937-1941 is a welcome and long overdue CD realization of The Complete Lionel Hampton 1937-1941, a six-LP box set released during the 1970s by the Bluebird label. Only Teddy Wilson came close to achieving what Hamp did in the late 1930s and early '40s, by bringing together the greatest soloists on the scene for a staggeringly productive and inspired series of recordings that essentially defined the state of jazz during the years immediately preceding the Second World War.

Edmond Hall, James P. Johnson, Sidney De Paris, Vic Dickenson - The Complete Blue Note Sessions (1985) {4CD Mosaic rec 1941-52}
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© 1941-52, 1985 Mosaic Records / Blue Note | MD4-109
Jazz / Early Jazz / New Orleans Jazz / Swing / Dixieland / Stride

To say that this limited-edition six-LP Mosaic box is overflowing with classics is an understatement. Included are a variety of small-group sessions (with overlapping personnel) from the early days of Blue Note. The Edmond Hall Celeste Quartet has five songs that are the only existing examples of Charlie Christian playing acoustic guitar; clarinetist Hall, Meade Lux Lewis (on celeste), and bassist Israel Crosby complete the unique group. The king of stride piano, James P. Johnson, is heard on eight solos; other combos are led by Johnson, Hall (who heads four groups in all), trumpeter Sidney DeParis, and trombonist Vic Dickenson (heard in a 1952 quartet with organist Bill Doggett).

For Loren Schoenberg of the Jazz Museum of Harlem, it's the discovery that capped nearly forty years of searching. For us at Mosaic, it's the "find" that has us re-examining an era we thought we knew inside out. And now, for listeners, it's an historic and fleeting opportunity to own a treasure trove of previously unknown music. Mosaic Records presents "The Savory Collection" - six CDs with 108 tracks locked away for more than 70 years and finally available on CD for the very first time anywhere. The recordings are from the personal collection of Bill Savory, a quirky and secretive studio engineer in New York whose day job in the late 1930s and early 1940s was transcribing radio broadcasts for foreign distribution, and whose nighttime passion was turning on the disc recorders to pull in and preserve what was happening in the clubs of New York City and other cities.

Sonny Stitt - The Complete Roost Sonny Stitt Studio Sessions (1952-65) {9CD Box Set Mosaic MD9-208 rel 2001}
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© 1952-65, 2001 Mosaic Records / Capitol / EMI | MD9-208 | 24-bit remaster
Jazz / Bop / Saxophone

Under the watchful eye of famed producer Michael Cuscuna, this nine-CD set serves as a compilation of Stitt's 1950s and 1960s Roost LPs. This release also features a 28-page booklet consisting of comprehensively annotated liners. Moreover, the record label does its best to convey the artistic element via a series of black-and-white photos of Stitt and his sidemen amid anecdotes by many of the late saxophonist's affiliates. Interestingly enough, seven of the original LPs did not list personnel. In some instances, guesses were made, although most of these tracks are well-documented, thanks to the producer's diligence and painstaking research. Artists such as drummer Roy Haynes, bassist/composer Charles Mingus, and pianist Harold Maber represent but a few of Stitt's accompanists.