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The Super Deluxe edition of Who’s Next | Life House will contain 10 CDs, all remastered from the original tapes by longtime Who engineer Jon Astley, plus a Blu-ray Audio disc with newly-created Atmos and 5.1 surround mixes of Who’s Next and 14 bonus tracks by in-demand artist and producer Steven Wilson.

The Who's defining, breakthrough concept album - a full-blown rock opera about a deaf, dumb and blind boy that launched the band to international superstardom, written almost entirely by Pete Townshend is now available as a new LIMITED EDITION Super Deluxe version that that includes 4 audio discs, an 80 page hardback book and a poster…

On the Who's final album with Keith Moon, their trademark honest power started to get diluted by fatigue and a sense that the group's collective vision was beginning to fade. As instrumentalists, their skills were intact. More problematic was the erratic quality of the material, which seemed torn between blustery attempts at contemporary relevance ("Sister Disco," "New Song," "Music Must Change") and bittersweet insecurity ("Love Is Coming Down"). Most problematic of all were the arrangements, heavy on the symphonic synthesizers and strings, which make the record sound cluttered and overanxious. Roger Daltrey's operatic tough-guy braggadocio in particular was beginning to sound annoying on several cuts…

The Who by Numbers functions as Pete Townshend's confessional singer/songwriter album, as he chronicles his problems with alcohol ("However Much I Booze"), women ("Dreaming From the Waist" and "They Are All in Love"), and life in general…

On the Who's final album with Keith Moon, their trademark honest power started to get diluted by fatigue and a sense that the group's collective vision was beginning to fade. As instrumentalists, their skills were intact. More problematic was the erratic quality of the material, which seemed torn between blustery attempts at contemporary relevance ("Sister Disco," "New Song," "Music Must Change") and bittersweet insecurity ("Love Is Coming Down"). Most problematic of all were the arrangements, heavy on the symphonic synthesizers and strings, which make the record sound cluttered and overanxious…