It is believed that the rush hour lounge music falls on the 50-60s. Then it executes unknown bands, but the rooms were great friends. While implementing lounge music could be called any musician who played in a cafe or restaurant to the public. In the 60s there were ensembles, records which are related to Lounge. Among them - the bands of James Last, Bert Kempferta, Paul Mauriat, Herb Alpert. Distinguished as a lounge music and musical design films, because this style of music can rightly be called the background.
Georgia-born (as in the country, not the state) singer/songwriter Katie Melua found herself atop the British charts in 2003 with her breezy debut, Call Off the Search, which sold over three million copies in Europe alone. Her laid-back blend of blues, jazz, and pop with a kiss of worldbeat drew comparisons to Norah Jones, and rightfully so. She sticks to the formula on her lush, ultimately safe follow-up, Piece by Piece. This is Coldplay for the Diana Krall crowd, a perfectly rendered slice of adult contemporary pie for a lazy summer day delivered by an artist whose beautiful voice is almost striking in how unremarkable it is.
This music, the album EB=MC2 and Chapman and Banai’s concerts together before that can ultimately be traced back to two valleys. One near Hawnby, North Yorkshire, lush green and full of trees, the other, more austere, in northern Galilee. Michael Chapman, paying his way through Art College in the early ’60s worked as a woodsman on the North Yorkshire Mexborough estate in the summer breaks and found inspiration for classics like “In the Valley” and “Among the Trees,” leaning against the trees with his guitar. Slightly later, Ehud Banai spent an extended reflective period in the ’70s, alone near Rosh Pina in Galilee, with his guitar, a ghetto blaster and one cassette. On that inspirational cassette was Michel Chapman’s 1969 Fully Qualified Survivor album. Travel forward over 30 years to 2012, and Ehud, now a successful musician with a string of his own albums, is playing The 12 Bar Club on Denmark Street in London.
This album is absolutely stunning. Hussey's song writing has matured over the years so that now I find I prefer this and the last Mission album more than the original stuff I grew up with and loved. (Maybe I get old to and mature). If you are looking for something dark, romantic and chilled then this is perfect. I've long felt Wayne is one of the greatest but most overlooked songwriters of his (or any) generation. His best lyrical work stands up with the greats and this album has plenty of examples. Forget your preconceptions about what you think you might know about him and give this a listen. Truly a great album and it's get better every time you listen to it. Hopefully more will come from Mr Hussey as a solo performer.