The Perfect Jazz Collection, 25 historic full length album recordings from the vaults of Columbia, Epic, RCA Victor and Bluebird labels. Remastered CD versions with extra tracks were available. Each album is packaged in a card wallet, in a nice facsimile vinyl format. If you want a history of Jazz, this is a bargain. Classic albums included are Miles Davis' Kind Of Blue, Dave Brubeck's Time Out, Billie Holiday's Lady In Satin, Nina Simone's Sings The Blues, Erroll Garner's Concert By The Sea, Charlie Parker's Bird and many more!
Blues in Orbit lacks the intellectual cache of the suites and concept pieces that loomed large in Ellington's recordings of this period, but it's an album worth tracking down, if only to hear the band run through a lighter side of its sound - indeed, it captures the essence of a late-night recording date that was as much a loose jam as a formal studio date, balancing the spontaneity of the former and the technical polish of the latter. Ellington and company were just back from a European tour when the bulk of this album was recorded at one after-midnight session in New York on December 2, 1959 - the arrangements had to be hastily written out when the copyist failed to appear for the gig…
Another quality Time-Life music collection with 500 originals from the period 1955-1964, the so called "Rock'n'Roll Era". In addition of this wonderful classics' parade, you will acquire a R'n'R encyclopedia, since each CD comes with an extensive description and historical data, in a 6 page booklet, scanned at 600 dpi. Enjoy excellent music and artwork.
Though her career stretched from the '30s to the '80s and she's widely considered possibly the greatest female jazz singer or all time, Ella Fitzgerald will probably forever be best known for a mid-'50s collection of albums collectively called the Songbooks, where she devoted entire albums to the works of such composers as Harold Arlen, Cole Porter, and Duke Ellington. THE BEST OF THE SONGBOOKS: THE BALLADS is one of the many compilations based on these recordings, and one of the best. From its beautiful, informative packaging to its gorgeously remastered sound, this 16-track, 64-minute collection treats the material with the respect it deserves. The material, of course, is first-rate, wall-to-wall standards from Johnny Mercer's wistful "Laura" to Ellington's sly "Do Nothin' Til You Hear From Me." Fitzgerald's performances are equally outstanding, as are the mostly big-band arrangements. This is as good as jazz ballad collections get.
On this four-CD set are some of Ella Fitzgerald's finest live performances during the years she was managed by Norman Granz. All of the material (which is taken from ten different performances in 1953, 1966, 1967, 1971, 1972, 1974, 1975, 1977, 1979 and 1983) was previously released on various Pablo albums. Since this is a best-of collection and was lovingly put together by the knowledgeable producer Eric Miller, the music is consistently rewarding and emphasizes the interpretive skills, scatting and jazz phrasing of the First Lady of Song. Although mostly backed by her trio/quartets of the period, Ella does get to jam "Perdido" with the 1953 JATP All-Stars, is backed by the Duke Ellington and Count Basie Orchestras on some songs and revisits "Flying Home" with an all-star group in 1983…