The Spin Doctors have always been bluesy, which isn't the same thing as being a blues band. From the outset, they were a bar band that happily dabbled in blues-rock, hippie pop, elastic funk, and classic rock, anything that would satisfy a crowd, and that eagerness to please came through on their breakthrough 1991 debut, Pocket Full of Kryptonite. When the Spin Doctors were touring the 20th anniversary deluxe edition of the album, they discovered their fans wanted to hear the obscure, bluesier tunes in their repertoire, so they decided to do the only natural thing – to record their first all-blues album.
In the year or so before punk finally emerged on the London scene, the Count Bishops were the kind of band you wished everyone would sound like, without ever guessing that very soon, they would. A mere handful of other groups shared the Bishops' eye for tanked-up, dressed-down, dirty-ass R&B – Eddie & the Hot Rods, Little Bob Story, Dr. Feelgood, and the Hammersmith Gorillas were the closest, and it was a sign of those prime movers' versatility that each of them brought something fresh to the party. In the Bishops' case, it was a laconic sneer, a greaseball grind, and one of the hottest guitarists of the age, Zenon DeFleur. As both writer and performer, he nails even the trickiest riff down flat for the rest of the band to steamroller.