The psychedelic rockers didn’t initially plan to make a pair of linked album. As frontman Stu Mackenzie explained in a statement, the original goal involved “the notes between the notes,” returning to the microtonal explorations they had first begun on 2017’s Flying Microtonal Banana. Then the quarantine compositions took on a life of their own.
On U2360° between 2009 and 2011, the band played 110 shows in 30 countries to 7 million people. There were at least 22 songs in the show every night, but over 26 months the set list was continually reinvented. By the last night more than fifty songs had featured, stretching from 2009's No Line On The Horizon all the way back to 1980's debut Boy.
Ray Davies had indulged himself one time too often with Soap Opera, and his bandmates, namely brother Dave and founding member Mick Avory, revolted, insisting that their sixth RCA album sound more like a Kinks album (certainly, that's something RCA wanted too). So, Davies designed their next album as a return to a simpler, band-oriented sound. Of course, he didn't jettison his love for conceptual works, so Schoolboys in Disgrace was born. Working under the presumption that a return to simple rock demanded a simple theme, Davies constructed the album as a nostalgic trip through childhood, reviving '50s rock & roll (including the occasional doo wop harmony) for the album's foundation, then turning the amps up high…
Irish Power Trio led by former Mama's Boys and Celtus guitarist/violinist,singer and songwriter Pat McManus. Band members are Pat McManus, Marty McDermott & Paul Faloon. Over the years Pat has also written, recorded and performed with a massive amount of other bands and artists. From such diverse artists as pop pin-up Samantha Fox to Trip Hop record producer, rapper and actor Tricky…..Prog-Rock icons Wishbone Ash to Grammy-nominated musician John Parr with award-winning film composer Harald Kloser and from Spike & The Quireboys to local traditional music projects “Hidden Fermanagh” & “Cool Celi”…… and so many more too numerous to mention.
An unimpeachable classic considered to be the pinnacle of Rastafarian inspired music. Master drummer Count Ossie's band, including the incomparable tenor saxophonist Cedric 'I'm' Brooks, recreate a Rasta grounation, or gathering, playing and chanting a sublime supplication, including Bible readings, in praise of Emperor Haile Selassie I.