Tom Moon

Longtime readers of Frontier Partisans know that Tom Russell is a giant in my pantheon of storytellers. His music has been the soundtrack for many an adventure down dusty desert roads and mountain trails, and he’s a key influence on my own songwriting and music. I learned to fingerpick because he said I should — and just as he promised, it opened new textures in both my playing and writing.

New release of the rare and in many respects remarkable Klaus Schulze vs. Solar Moon System Album "Docking" (originally released in the year 2000 strictly limited and long exhausted wooden 10CD-Box "Contemporary Works", advanced with extensive unreleased unpublished material from the recording sessions of Klaus Schulze with Tom Dams' Solar Moon System. This 2CD Album became an "Ultimate Docking" definitely. It was a surprise when Klaus Schulze called out of the blue some late night in year Y2K Solar Moon System.

This is the third full length album from Blue Moon Marquee. This record features a full band. Darcy Phillips on keys. James Hollywood Badger on drums, Jerry Cook on sax, Jack Garton on trumpet, Paul Pigat on guitar Jasmine Colette vocals and on bass, A.W. Cardinal vocals and guitar. Engineered/Co Produced by Erik Nielsen All songs recorded at Afterlife studios, Vancouver B.C.

Vibraphonist-composer Tom van der Geld’s ECM initiation came by way of the JAPO sister label when, in 1976, the self-titled Children At Play introduced listeners to an album of uncompromising originality. Recorded in 1973, the same year of van der Geld’s permanent relocation to Germany (where the band’s reedman, Roger Jannotta, and drummer, Bill Elgart, would also find new homes), it’s a formative release not only for being Children At Play’s first, but also for sharing its uniquely sunlit sound with the world at large. Tropical and sweet, the album is a sparkling endeavor that favors the lived reality of jazz over its descriptive pitfalls. Patience (1978) was van der Geld’s first dip into ECM proper and stands out for its bright geography. This time, however, the tectonic plates shift more abstractly below with the heat of friction.

In their liner notes for this string of estrellitas (‘small stars’), Elena Urioste and Tom Poster admit to a shared love for ‘an old-world, golden sound and for melodies that tug at the heartstrings’. This has resulted in a deeply personal collection of miniatures full of winks, sighs and tears aimed at transporting the listener to bygone eras of fireside salon concerts. With a few exceptions, including Elgar’s Chanson de Nuit and Salut d’amour, the pieces are arrangements by the great violinists of that bygone, golden age: Auer, Kreisler, Zimbalist, Heifetz … while the originals they are based upon range from Gluck’s Melodie from Orpheus and Euridice and Liszt’s Consolation No. 3 to Beau soir by Debussy and Estrellita by Manuel Ponce. In a closing section Elena Urioste and Tom Poster also pay their respects to the Great American Songbook, with new arrangements, signed Tom Poster, of Moon River, When I Fall in Love and Over the Rainbow.

In My Wildest Dreams is a 1992 album by keyboardist Tom Grant featuring David Grant and Wayne Braithwaite. My Wildest Dreams is a sunny fusion date whose fantasies are more in the nature of pastel reveries than wild' noirish nightmares.