Trains

There’s something special about this version of Different Trains. It’s the one commissioned by Wolfgang Sawallisch and David Robertson and their respective orchestras (Philadelphia and Lyon) in 2001 for string orchestra, and it impresses immediately by the richness of its vastly expanded sound palette. Though it may be heresy to say so, I never found the original string quartet version entirely convincing. This recording shows why: inside that frenetic chamber work was a much larger piece trying to get out, and here it is, fully realised, as it were, in glorious technicolor.

The hook for this terrific recording of three of Steve Reich's most attractive works is the use of alternate versions of the several pieces that differ from the original recordings on Nonesuch. This recording has Reich's imprimatur; he enthusiastically recommends the performances in a program note. The most radical departure from the original version is Piano Counterpoint, Vincent Corver's arrangement of Six Pianos for a single live pianist with the other five parts prerecorded. This allows the piece to fit nicely into Reich's "Counterpoint" series, which includes Vermont Counterpoint for flutes and New York Counterpoint for clarinets. Corver also speeds up the tempo so the piece has an even more propulsive aural energy, although in live performance it's hard to beat the visceral excitement of six pianists on-stage. The London Steve Reich Ensemble version of the Triple Quartet, unlike the Kronos Quartet's premiere recording, uses three live quartets, and is one of three performance options that Reich specified in the score, the third being an orchestral version with 36 players. This is the first commercial recording of this version.

Ulrich Schnauss - Far Away Trains Passing By (2005)
MP3 320 kbps / 44,1kHz / Stereo | 1:22:57 min | No Covers | 238 mb
Electronica | IDM, Downtempo | Tracks: 12 | Label: Domino

Ulrich Schnauss is a German electronic artist who is influenced by forebears like Tangerine Dream and Kraftwerk–but unlike retro-space artists, he doesn't sound like he just emerged from their dusty studios after being marooned there for 30 years. Instead, his synthesizers bristle with contemporary electro-rhythms, a bit of New Wave romanticism, and melodies you want to last forever. Schnauss has perfected a balance between quiet yearning and joyful heroism in his music, with sweeping major-chord progressions that are triumphal without being ostentatious, expansive without being pompous. For someone who is so rhythm-centered with crackling snares and electro-glitches, it's ultimately the melodies that draw you in, turned on glistening, bell-like timbres and space-organ sustains. Far Away Trains Passing By is actually his first album, released in Europe in 2001, but it's been out of print and is being issued in the United States for the first time. The reissue comes with a bonus CD that includes six pieces pulled from various Schnauss side projects and tracks that didn't make the original album. Far Away Trains Passing By is electronica with a melancholy soul, and it has lost nothing in the intervening years. –John Diliberto