Josep Maria Carreras i Coll born 5 December 1946, better known as José Carreras, is a Spanish tenor who is particularly known for his performances in the operas of Verdi and Puccini.
Born in Barcelona, he made his debut on the operatic stage at 11 as Trujamán in Manuel de Falla's El retablo de Maese Pedro and went on to a career that encompassed over 60 roles, performed in the world's leading opera houses and in numerous recordings. He gained fame with a wider audience as one of the Three Tenors along with Plácido Domingo and Luciano Pavarotti in a series of mass concerts that began in 1990 and continued until 2003. Carreras is also known for his humanitarian work as the president of the José Carreras International Leukaemia Foundation (La Fundació Internacional Josep Carreras per a la Lluita contra la Leucèmia), which he established following his own recovery from the disease in 1988.
The Royal Opera is a company based in central London, resident at the Royal Opera House, Covent Garden. Along with the English National Opera, it is one of the two principal opera companies in London. Founded in 1946 as the Covent Garden Opera Company, it was known by that title until 1968. It brought a long annual season and consistent management to a house that had previously hosted short seasons under a series of impresarios. Since its inception, it has shared the Royal Opera House with the dance company now known as The Royal Ballet.
Macbeth is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, it was Verdi's tenth opera and premiered on 14 March 1847. Macbeth was the first Shakespeare play that Verdi adapted for the operatic stage. Almost twenty years later, Macbeth was revised and expanded in a French version and given in Paris on 19 April 1865…
Renata Tebaldi (Pesaro, Italy, February 1, 1922 – San Marino, December 19, 2004) was an Italian lirico-spinto soprano, popular in the post-war period. Acclaimed as one of the most beloved opera singers of all time, she primarily focused on the verismo roles of the lyric and dramatic repertoires.
Karajan was an outstanding Verdi conductor, and his first recordings of Falstaff, Aida, and Otello, as well (later) as his Don Carlo, remain testaments to his Verdian credentials… This collection, however, was recorded before Karajan had eliminated all of the music's rough edges, and while there's lovely playing aplenty, he's also not afraid to make some noise when Verdi requires it. A fine collection, then, of the 19th century's most important Italian operatic/orchestral music. –Editorial Reviews, Amazon.com, David Hurwitz
2017 is the tenth anniversary of the passing of the 20th Century’s most famous tenor – Decca marks this occasion to marvel once again at the sheer quality of the voice of ‘The People’s Tenor’ with a 101-disc collection presenting every role he ever recorded and performed. Every role since his debut recording of La Boh?me in 1961 is included, allowing critics, collectors and opera lovers once more to appreciate his truly exceptional gifts. Every single opera is presented in the best possible audio quality, remastered at Abbey Road under the supervision of former Decca engineers.
This selection of scenes and arias, all very familiar items, is distinguished by the imaginative accompaniments under Evelino Pidò. …here we have one of the great opera personalities of our time - it's a lovely voice, used with a formidable technique.