Siegfried Wagner had the best musical pedigree that a composer could conceivably have: the son of Richard Wagner and the grandson of Franz Liszt (through Liszt's daughter Cosima). His ancestry proved to be a decidedly mixed blessing, however, as the younger Wagner – despite working in a different musical era – was never fully able to step outside of the long shadow cast by his father, even as he engendered the jealousy of musical rivals. (…) Following Siegfried Wagner's death, the family did its best to suppress performances of his music, casting its lot with the more popular and profitable works of Richard Wagner, and it was only with lapsing of various copyrights, and the formation of the Siegfried Wagner Society in 1972, that his music was made available again, first in concert editions and more recently in full performances.
Siegfried Wagner had the best musical pedigree that a composer could conceivably have: the son of Richard Wagner and the grandson of Franz Liszt (through Liszt's daughter Cosima). His ancestry proved to be a decidedly mixed blessing, however, as the younger Wagner – despite working in a different musical era – was never fully able to step outside of the long shadow cast by his father, even as he engendered the jealousy of musical rivals. (…) Following Siegfried Wagner's death, the family did its best to suppress performances of his music, casting its lot with the more popular and profitable works of Richard Wagner, and it was only with lapsing of various copyrights, and the formation of the Siegfried Wagner Society in 1972, that his music was made available again, first in concert editions and more recently in full performances.
Wagner’s music dramas are his primary artistic legacy. These can be divided chronologically into three periods. Wagner’s early stage began at age 19 with his first attempt at an opera...