Steeleye Span’s latest offering is a collaboration with none other than Terry Pratchett, best known for his the Discworld series of novels. Terry is a self-declared Spanner and has been since his adolescence: “my mate Dave put me between two huge speakers and turned everything up to eleven. He played Boys of Bedlam until the chimney wobbled”. He’s been hooked ever since. Steeleye Span also played at Terry’s sixtieth birthday, it was after hearing that Maddy was a fan of his work that he proposed a collaboration to weave in some words of his own into their songs. The result is Wintersmith an album that is already topping the Amazon English folk album charts!
"The 60 fingers and multiple keyboards ofPiano Circushave come a long way since they formed in 1989 …the six players alternate between two grand pianos, four sampling keyboards and a spinet, transform the piano sounds in various ways, play a variety of conventional and unconventional percussion and incorporate a variety of mechanical and natural sounds. Totally compelling"This is a showcase album for the many and varied talents of those who made several recordings for ARGO during the 1990s, which includes David Lang's Face So Pale and Kevin Volans' Kneeling Dance, as well as one of the "classics" of American minimalism—Steve Reich's Four Organs. Three Dances by Robert Moran were written especially for Piano Circus.—The Guardian, October 2001
"Extraordinary to behold ….six pairs of eyes, watching, listening, timing each move to the split second. Breathtaking."—The Times, March 2002
‘A Tiempo Real’ is the new album from the traditional Spanish folk band Vigüela. It is a double-disc of almost 100 minutes of carefully arranged traditional folk songs and is as much album as a lively preservation project. ‘A Tiempo Real’ is a cultural contribution to Spanish folk music as performed in village life in homes, festivities and celebrations in the province of Castilla-La Mancha and beyond.
Dmitri Tcherniakov’s acclaimed new production of Borodin’s Russian epic—the opera’s first Met staging in nearly a century—stars Ildar Abdrazakov in the title role of the tormented prince who leads his army against the Polovtsians. The stellar all-Russian-language cast also includes Oksana Dyka as his wife, Yaroslavna, Anita Rachvelishvili as Konchakova, Sergey Semishkur as Igor’s son, Vladimir, Mikhail Petrenko as Prince Galitzky, and Štefan Kocán as Khan Konchak. Gianandrea Noseda conducts the Met’s vast musical forces in this colorful score, which includes the celebrated Polovtsian Dances.
Dmitri Tcherniakov’s acclaimed new production of Borodin’s Russian epic—the opera’s first Met staging in nearly a century—stars Ildar Abdrazakov in the title role of the tormented prince who leads his army against the Polovtsians. The stellar all-Russian-language cast also includes Oksana Dyka as his wife, Yaroslavna, Anita Rachvelishvili as Konchakova, Sergey Semishkur as Igor’s son, Vladimir, Mikhail Petrenko as Prince Galitzky, and Štefan Kocán as Khan Konchak. Gianandrea Noseda conducts the Met’s vast musical forces in this colorful score, which includes the celebrated Polovtsian Dances.