Woodstock

SUPERB PERFORMANCE FROM PETER GABRIEL AT THE 1994 WOODSTOCK FESTIVAL Peter Gabriel released his seventh studio album Us in 1992. Co-produced by Gabriel with Daniel Lanois, on the record he explored the pain of recent personal problems; his failed first marriage, his relationship with actress Rosanna Arquette and the growing distance between his first daughter and himself. The result was one of Gabriel's most personal albums. It met with less success than its predecessor So, but still reached No. 2 in the album chart on both sides of the Atlantic; Gabriel also achieved modest chart success with the singles Digging in the Dirt , and Steam . Peter Gabriel followed the release of the album with a world tour and an accompanying double CD and DVD release, Secret World Live in 1994. The final date of the tour was Peter Gabriel s performance at the 1994 Woodstock Festival, in Saugerties, NY on 14th August 1994. One of the best shows on the tour, the entire set - and indeed much of the festival - was broadcast on both TV, and across FM Radio. Previously unreleased, the full set Gabriel and band played on the 25th anniversary of the original 1969 Woodstock Festival is now available in superb quality on this CD.

This 77-minute CD is close to an ideal compilation, reaching back to before the band's beginnings for the original 1965 recording of "I-Feel-Like-I'm-Fixin'-to-Die Rag" and across seven of the better cuts off of Electric Music for the Mind and Body, up through the Woodstock Festival and the band's farewell concert that same year at the Fillmore West. It reels in most of the notable album cuts in between, all in surprisingly good sound (not usually a strong point on Vanguard CDs of the late '80s). The 19 songs, which don't follow a strict chronological order, encompass some of the band's most celebrated experimental material, as well as more traditionally structured songs such as the fiery double-lead guitar workout "Death Sound Blues," the catchy, folk-rock-style "Sing Sing Sing," and the counterculture singalong "Marijuana" and works of serious personal significance (and intimately focused genius), including "Grace" and "Janis." The disc offers a good balance between the various sides of the group's sound and includes several notable live tracks, including the November 1968 Fillmore East performance of "Superbird," an anti-Lyndon Johnson song that dated back to 1965 and which is adapted here to include an attack on president-elect Richard Nixon. The sound is amazingly good and consistent throughout, and the track order, as well as the music itself, is downright spellbinding at times; the annotation is minimal, but this CD really has only a single flaw – apparently, between the 1965 original version of "I-Feel-Like-I'm-Fixin'-to-Die Rag" and the 1969 Woodstock performance, there was no room for the standard studio version off of the band's second LP.

Live At Woodstock '94 is a 1994 bootleg CD by American thrash rockers Metallica. This was recorded at the Woodstock '94 festival in upstate New York. It is not the complete set so you're able to listen to how bootleggers edited the performance. No label listed.

Woodstock is the eighth full-length album by Alaskan rock band Portugal. The Man. After having released Evil Friends in 2013, Portugal. The Man began work on a new project, under the working title Gloomin + Doomin. This album was eventually shelved, partly due to a conversation between John Gourley and his father and the discovery of a lost ticket stub from the Woodstock festival. Work began on the Woodstock album shortly thereafter, involving new music as well as material from the Gloomin + Doomin era.

A spectacular visual history of the 1969 music festival that Time magazine called "the greatest peaceful event in history."

“VA – Taking Woodstock: Original Motion Picture Soundtrack (2009)” is the official soundtrack for Ang Lee’s 2009 film depicting the legendary 1969 Woodstock music festival. The compilation features a variety of classic rock, folk, and psychedelic tracks that capture the spirit of the late 1960s counterculture. Including iconic artists from the era, the album mirrors the film’s celebration of music, youth, and social change. Designed to evoke nostalgia, the soundtrack combines lively festival anthems with introspective songs, offering listeners both an auditory journey through the historic event and a standalone collection that preserves the era’s musical energy and cultural significance.

This release captures the blues rockers at two concerts during the nineties. The first was recorded at Woodstock II in 1994, while the second stems from 1990 and was recorded at the National Video Center in New York.

"Un biglietto d'entrata nella memoria costa solo 13 dollari. Basta trovarsi nei pressi della cittadina di Bethel, un'ora di macchina a nord di New York, e sarete attirati da cartelli che indicano una direzione e un nome che dopo quarant'anni manda ancora inaspettate scariche elettriche: Woodstock. Anzi per l'esattezza: Woodstock Museum. Una cosa del genere poteva accadere solo in America. A chi altri poteva venire in mente di costruire un museo dedicato a un concerto? Un concerto … Un oggetto immateriale, intangibile, esistito solo nel flusso spazio-temporale di tre giorni…