Writer’s Tale

Histoire du soldat, or Tale of the Soldier (as it was first published), is an hour-long 1918 theatrical work to be "read, played and danced (lue, jouée et dansée)" by three actors, one or more dancers, and a septet of instruments. Its music is by Igor Stravinsky, its libretto, in French, by Swiss writer Charles Ferdinand Ramuz; the two men conceived it together, their basis being the Russian tale The Runaway Soldier and the Devil in the collection of Alexander Afanasyev.

Histoire du soldat, or Tale of the Soldier (as it was first published),[1] is an hour-long 1918 theatrical work to be "read, played and danced (lue, jouée et dansée)" by three actors, one or more dancers, and a septet of instruments. Its music is by Igor Stravinsky, its libretto, in French, by Swiss writer Charles Ferdinand Ramuz; the two men conceived it together, their basis being the Russian tale The Runaway Soldier and the Devil in the collection of Alexander Afanasyev.

Histoire du soldat, or Tale of the Soldier (as it was first published),[1] is an hour-long 1918 theatrical work to be "read, played and danced (lue, jouée et dansée)" by three actors, one or more dancers, and a septet of instruments. Its music is by Igor Stravinsky, its libretto, in French, by Swiss writer Charles Ferdinand Ramuz; the two men conceived it together, their basis being the Russian tale The Runaway Soldier and the Devil in the collection of Alexander Afanasyev.

From the brilliantly funny (and rightfully furious) creator of the viral Men Write Women Twitter account, A Tale of Two Titties is a satirical guide to writing women like a bestselling male author.

A self-taught musician from Long Beach, California, Taylor learned guitar at age 15 and performed in bands during education. He later created background music for prayer meetings at his church, which was heard by a film writer and director, Eliot Rausch. They collaborated on some short films together, and Taylor contributed to the soundtrack of August: Osage County (composed by Gustavo Santaolalla), before his first full soundtrack credit, Meadowland (2015). More recently, he composed for the TV series The Handmaid's Tale and Chilling Adventures of Sabrina.