If On the Corner suggested hip-hop beats as far back as two decades ago, then consider Doo-Bop as offspring. Miles' teaming with producer Easy Mo Bee is a natural – more in league with England's acid jazz scene than anything in the trumpeter's recent canon. Those who've howled over the post-Bitches Brew work will find no solace here; instead, chalk this up as one of Miles' most entertaining efforts.
This is the recording Miles Davis was working on when he checked into the hospital in mid-September of 1991. With his passing on the 28th of September, a major epoch in American music came to a close. Somewhere in the back of his mind he probably knew that he was living on borrowed time, because earlier that summer he'd finally consented to make a nostalgic return to the classic music that emerged from his collaborations with Gil Evans (MILES & QUINCY AT MONTREAUX). But as the contemporary sounds of DOO-BOP indicate, Miles Davis was incapable of sustained backwards glances.
Previously unreleased early 70's underground-psychedelic/hippy/progressive rock, pleasantsoft dreamy mellow prog. with mellotron, acid guitar, touch with spacey effects, from the orig. masters. Superb, previously unreleased material by these melodic prog-rock wayfarers 1970-74. Floyd-like vocals, dreamy mellotron and spaced-out acid guitar are the hallmarks of Graphite. Comes with group history and rare photos.UK underground psychedelic / hippy / progressive - similar in places to Fantasy. Good songs and instrumentation. Excellent sound quality with mellotrons, guitars etc. Played with Pink Floyd, Arthur Brown, T Rex and Queen!!.
Beneath the Surface finds original lead singer Maysa Leak returning to the Incognito fold. Coincidentally or not, the record finds the group moving deeply into smooth, laidback, jazzy soul. It's a seductive sound and the group executes it well, even though there ironically isn't that much substance beneath the surface.
People who go "incognito" usually have something to hide. That certainly cant be said of Jean-Paul "Bluey" Maunick and his exciting band. Firstly, Incognito is much too good to hide itself away. Secondly, this creative workshop, which young, enthusiastic music freaks have been passing through for many years, has left a distinct impression on the scene and not only in its home country, the UK. This live performance from Ohne Filter includes Good Love, One Hundred And Rising, Everybody, Spellbound And Speechless, Don't You Worry 'bout A Thing, Harvest For The World, Colibri, Still A Friend Of Mine, Always There.
Universal TV UK's Connected: '90s 12" Mixes features 36 cuts over three discs culled from the clove-smoked DJ bins of the mainstream '90s. Using the instantly recognizable four-note jam from the Stereo MC's as its impetus and lead-off cut, Connected collects all of the extended versions that listeners were duped into buying during the age of the CD-single, like eight minutes of the Soup Dragons' "I'm Free," a remix of Deee-Lite's "Groove Is in the Heart," and the bass loop version of Stone Roses' "Fools Gold," resulting in an overly long trip (pub crawl) down memory lane that would have been fine had it been streamlined into a single disc. Sadly, no drugs or light sticks are included.