"rock Instrumentals"

Celtas Cortos - Salida de Emergencia
EAC+LOG+CUE | FLAC (tracks): 259 MB | Artwork | 5% Recovery Info
Label/Cat#: Dro # 9031-78047-2 | Country/Year: Spain 1990
Genre: Rock, Folk | Style: Folk Rock, Celtic

Celtas Cortos are a Celtic rock band from Spain whose popularity spans multiple decades and whose music is eclectic, drawing from a wide range of styles. Some of the band's most well-regarded songs include "20 de Abril" (1991) and "Tranquilo Majete" (1993). Formed in 1986 in Valladolid, Spain, the band began its recording career in 1988 with a three-song contribution to the compilation album Así Es Como Suena: Folk Joven…

Released in May 1982, Ship Arriving Too Late to Save a Drowning Witch marks Frank Zappa's entrance into the 1980s. From this point on, his rock records would focus on single, simple rock songs (the previous year's You Are What You Is had them organized in interconnecting suites) with occasionally more complex instrumental numbers…

Frank Zappa - Ship Arriving Too Late To Save A Drowning Witch (1982) {1995 Ryko Remaster Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 241 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (png) -> 236 Mb | 5% repair rar
© 1995 Rykodisc / The Zappa Family Trust | RCD 10537
Rock / Experimental Rock / Art Rock

Released in May 1982, Ship Arriving Too Late to Save a Drowning Witch marks Frank Zappa's entrance into the 1980s. From this point on, his rock records would focus on single, simple rock songs (the previous year's You Are What You Is had them organized in interconnecting suites) with occasionally more complex instrumental numbers. The recipe would be extended to The Man From Utopia (1983) and Them or Us (1984). Side one features three studio songs that would never be performed on stage.

Released in May 1982, Ship Arriving Too Late to Save a Drowning Witch marks Frank Zappa's entrance into the 1980s. From this point on, his rock records would focus on single, simple rock songs (the previous year's You Are What You Is had them organized in interconnecting suites) with occasionally more complex instrumental numbers. The recipe would be extended to The Man From Utopia (1983) and Them or Us (1984). Side one features three studio songs that would never be performed on stage. By 1981, Zappa had become a master at manipulating vocal tracks, a technique featured in each of them, but most successfully in "Valley Girl," where daughter Moon Unit (aged 14 at the time) pastiches rich girls from the San Fernando Valley…

Released in May 1982, Ship Arriving Too Late to Save a Drowning Witch marks Frank Zappa's entrance into the 1980s. From this point on, his rock records would focus on single, simple rock songs (the previous year's You Are What You Is had them organized in interconnecting suites) with occasionally more complex instrumental numbers. The recipe would be extended to The Man From Utopia (1983) and Them or Us (1984). Side one features three studio songs that would never be performed on stage. By 1981, Zappa had become a master at manipulating vocal tracks, a technique featured in each of them, but most successfully in "Valley Girl," where daughter Moon Unit (aged 14 at the time) pastiches rich girls from the San Fernando Valley…

“Destinations” is the new studio album by Darryl Way and features ten new rock instrumentals, with a variety of influences and sound effects enriching the style and delivery of the pieces.

Sky is the debut album by the supergroup Sky, released in 1979. Formed in 1979 as a direct result of classical guitarist John Williams' 1971 Changes album in which he ventured into soft rock for the first time, Sky was an attempt to meld the worlds of classical music and rock instrumentals, with results that echoed the U.S.-based work of composer Chip Davis with his Fresh Aire projects. In 1971, Williams recorded Changes with the intent of displaying his classical guitar prowess in the context of soft rock arrangements. Amongst the session players on the album were bassist Herbie Flowers (then with Blue Mink), keyboardist Francis Monkman (then working with Curved Air), and drummer Tristan Fry, who was doing session work in addition to working as a percussionist with the Royal Philharmonic Orchestra and the Academy of St. Martin-in-the Fields.