There’s a couple things you’d expect from a solo album of a member of the Black Moth Super Rainbow: vocoder, funky drum beats , and woozy analog synths. On BMSR’s The Seven Fields of Aphelion’s new album Periphery, you only get the last one. Closer in sound to Emeralds or Stellar OM Source, Periphery is full of gorgeous ambient synth music that would probably have sounded as natural in 1985 as it does in 2010. On tracks like “Sunburst Chemicals,” “Lake Feet,” and “Mountain Mary,” The Seven Fields of Aphelion plays real live piano, giving an added poignancy and emotional tug to the music.
There has always been a warped new-age bent to BMSR (they did live in a commune together) and The Seven Fields of Aphelion brings that to the forefront, creating music that’s serene and reflective, but with totally new signifiers for what’s “peaceful” and “calming.” While listening to Periphery, you could just as easily contemplate the beauty of a dead shopping mall or an 80s cop show as you could a river stream or sunny meadow.
You and Me Both is the second, and final, album released by British synthpop duo Yazoo in 1983. As was their debut, the record was produced by Yazoo members Vince Clarke and Alison Moyet along with E.C. Radcliffe. Upon its release You and Me Both received positive reviews from music critics who noted that the album showed strong progression in songwriting and production from both Moyet and Clarke from their debut. The album peaked at #1 in the UK and #69 in the US.
Anthony Lawrence Carey (born October 16, 1953, Watsonville, California) is an American-born, European-based musician, composer, producer, and singer/songwriter. One of his earliest musical experiences was in a band called Blessings, in which he played until 1975 when Ritchie Blackmore hired him as keyboardist for Rainbow…
Originally a product of Britain's new romantic movement, Depeche Mode went on to become the quintessential electropop band of the 1980s. One of the first acts to establish a musical identity based completely around the use of synthesizers, they began their existence as a bouncy dance-pop outfit but gradually developed a darker, more dramatic sound that ultimately positioned them as one of the most successful alternative bands of their era…