13 Blur

With Wilson's longtime friend Pat Sansone of Wilco producing, Wilson and the band recorded in Studio A at the Sound Emporium, the late country maverick Cowboy Jack Clement's studio. The musicians included Nashville’s premier session players including bass player Dennis Crouch, Russ Pahl on pedal steel, multi-instrumentalist Jim Hoke, and world renowned Fiddle master Mark O’Connor. Working with this Nashville band gave Wilson the same kind of feeling he had as a kid, strumming along with those bluegrass bands.

"There's No Other Way" is a song by Blur and was released 15 April 1991 as their second single. The song was the band's first top ten and top 40 hit and was also featured on the band's debut album Leisure.

No Distance Left to Run is a documentary film about the British rock band Blur, released in cinemas on 19 January 2010. Following the band during their 2009 reunion and tour, the film also includes unseen archive footage and interviews. It was released on DVD on 15 February 2010 region free and the recording of the 2009 Hyde Park concert is included on a second disc. It aired on BBC2 on 14 March 2010. It is the band's second documentary video, following Starshaped seventeen years before in 1993.

This collection of 200 of the most influential music videos in Britain 1966 to 2016 is the result of a three-year University research project run in partnership with the British Film Institute and the British Library. The collection has been put together by a team of researchers in collaboration with a panel of over one hundred directors, producers, cinematographers, editors, choreographers, colourists and video commissioners from the business. Each video has been selected because it represents a landmark in music video history - a new genre, film technique, post-production method, distribution channel, or other landmark…

Warner Music presents "90s Road Trip Vibes" including hits from RHCP, Madonna, Cher, Green Day, Blur etc.

A master of the kora (21-string West African harp), Toumani Diabaté has brought the traditional music of his native Mali to the attention of an international audience with a series of well-received solo albums and some unlikely, but acclaimed, collaborations. Although he came from a family of musicians, Diabaté (born August 10, 1965) taught himself to play the kora at an early age, as his father, who also played the instrument, was often away touring. He developed a style of playing that, while being strongly rooted in the Malian tradition, is also open to a wide range of other influences, such as jazz and flamenco. He has subsequently sought out other musicians from around the world who are willing to experiment with him, even performing a concert in Amsterdam with a classical harpist.