This new recording celebrates a triple anniversary – the 250th anniversary of Beethoven’s birth, the 20th birthday of the West-Eastern Divan Orchestra, and it will be released 40 years after the legendary Triple Concerto recording made by Anne-Sophie Mutter and Yo-Yo Ma under Herbert von Karajan.
Charming Hostess is a whirl of eerie harmony, hot rhythm and radical braininess. Our music explores the intersection of text and the sounding body– complex ideas expressed physically, based on voice and vocal percussion, handclaps and heartbeats, sex-breath and silence. We live where diasporas collide, incorporating piyyutim and Pygmy counterpoint, doo-wop and niggunim, work songs and Torah chanting. The texts speak of mysticism and sex; angels and demons; and the trials and joys of love and sex…
These sparkling performances of Saint-Saëns' violin concertos are a fitting start to Hyperion's new series of Romantic Violin Concertos; a follow on from the highly successful Romantic Piano Concerto series.
The work which conductor Evgeni Svetlanov has been carrying on together with the USSR Symphony Orchestra has no analogy in the recording business. They have recorded "Anthology of Russian Symphony Music", and all symphonies by A. Glazunov concluded this unique work.
"Karelian Legend" (Op.99,1916) is one of the last works by A. Glazunov. Karelian folk fairy-tales inspired the composer to write it. Music of the Legend is remarkable for its splendour and ornament. Here Glazunov used various orchestral effects being in perfect command of them.
…Once again, Järvi and his band have captured Beethoven's wilful and often irascible character, rhetoric, polemics and sheer genius in fully-charged performances which also reveal his deep humanity. They certainly should number among the elite.
Although the surprisingly intense Unexplained EP gave EMF's fans some clue as to the direction the band was going to take with its next album, Stigma still took many by surprise. A claustrophobic record filled with heavy walls of guitars, effects, and dark keyboards, Stigma is about as far away as possible from the sunny dance-pop of Schubert Dip. While that album hid some darker lyrical concerns under its bubbly pop surface, Stigma is almost entirely concerned with feelings of alienation from fame, love, and friendship. …
This CD contains two symphonies by Finnish composer Kalevi Aho. His multi-layered, polyphonic Fifth Symphony is coupled with the six-movement suite-like "Insect Symphony", which is regarded as one of the leading works of Finnish Post-Modernism. Based on Aho's opera Insect Life (1987), each of the six movements of the tragi-comic symphony is named after an insect, and every single movement constitutes a separate micro world of its own……
…In his late years, Wand restricted his repertoire almost exclusively to the symphonies of Anton Bruckner (which he had never conducted until he was over 60), Schubert, Brahms, Beethoven and Mozart. Wand regarded Bruckner as the "most important symphonist after Beethoven". Wand's biographer Wolfgang Seifert believes that "it is no exaggeration to say that Günter Wand has made an indispensable contribution toward the understanding of Bruckner in our time."
Charming Hostess is a whirl of eerie harmony, hot rhythm and radical braininess. Our music explores the intersection of text and the sounding body– complex ideas expressed physically, based on voice and vocal percussion, handclaps and heartbeats, sex-breath and silence. We live where diasporas collide, incorporating piyyutim and Pygmy counterpoint, doo-wop and niggunim, work songs and Torah chanting. The texts speak of mysticism and sex; angels and demons; and the trials and joys of love and sex…