Cat Stevens Eac

rguably the first consistently strong album Fleetwood Mac ever recorded – all the way back into the Peter Green/Jeremy Spencer era, the Mac's albums had previously consisted of individual moments of brilliance in a sea of uninspired filler – 1972's Bare Trees is also the album where the band finally defines its post-blues musical personality. Low-key but less narcoleptically mellow than 1971's sleepy Future Games, Bare Trees is a singer/songwriter album in the traditional early-'70s style, backed up with just enough musical muscle to keep from sounding like weedy soft rock in the manner of Bread or Cat Stevens. This is the one Fleetwood Mac album on which singer/guitarist Danny Kirwan is the dominant figure, writing five songs to Christine McVie and Bob Welch's two apiece.

Nicky Higginbottom departed Paul Brett's Sage after the release of the band's eponymous debut album, and with her went the haunting flute that gave much of the album such a rich, pastoral sound. But the band was already moving in a new direction, exploring rock's roots and the genre's many permutations. Jubilation Foundry welds Sage's varied influences onto their sleeves, from "Cottage Made for Two," an homage to the Everly Brothers, to the gospel fired "Help Me Jesus" and the Stax inspired "Hold My Hand Mother." There are tributes to Southern blues and Southern rock, nods to singer/songwriters Cat Stevens and Harry Nilsson, and even a tip of the hat to the Beatles. With the group here sporting rich harmonies, the emphasis is on great songs in a variety of musical veins and moods, with singalong choruses, memorable melodies, and flashy musicianship evident throughout the album.