Octopus's sole long-player Restless Night is something of a treasure among '60s Brit-psych fans due to its mixture of proto-progressive riffs, accomplished pop tunes and sparkling Beatlesque flourishes. The band evolved out of the thriving Hertfordshire beat scene that also gave us The Zombies, The Gods and those other cult pop-psych heroes Forever Amber. Octopus' music was coloured by the use of keyboards and layered vocal harmonies in much the same way. As The Cortinas they enjoyed several years of local success which culminated in the 1968 CBS single "Phoebe's Flower Shop". The single was pure pop confectionery and betrayed little of the band's tight, melodic brand of rock. By the time they'd been signed to Larry Page's Penny Farthing label in 1969, their sound had expanded to encompass the burgenoning progressive scene, the dawn of the solo troubadour and the omnipresent influence of The Beatles…
There are singers whose music reaches so deep down inside of us that we hardly believe that this could be possible. They break us apart, pacify us, wound us and heal us.
To all the pain and the love, they lend their voice. To the uncertainty, the anticipation and the humility. To life, to enchantment and to death.
Such a singer is David Munyon. His song comes from a depth where all our songs have their roots. He sings with a voice as if it would come from another time. He plays the guitar as if it's sole purpose was created for his harmonies. Quiet, very quiet but enveloping, very enveloping.
This man can delve deep into your soul when you experience him on his concerts. He lets it happen. He's like an open book. His biography reads like a novel. From coming and going. From believing and hoping. From success and losses. From defeat. From recovery. From survival.
Coinciding with David Munyon's European Tour in spring 2009, Stockfisch Records are releasing this new CD Album: “Big Shoes” where David Munyon sings folk and rock songs of his favourite musical heroes interpreted in his own unmistakable style.
Donovan's last truly great album of the 1960s, 1968's BARABAJAGAL shows interesting artistic growth at least as marked as his transformation from folk troubadour to daffy hippie-pop guru. The title track and "Trudi" feature the Rod Stewart-era Jeff Beck Group as Donovan's backing band; consequently both these songs have a surprising amount of sonic heft to them…
Charlie Musselwhite released the acoustic Mississippi Son in 2022; it was a towering achievement in a career full of them. It took home a Blues Music Award for Best Acoustic Blues Album. In 2023, he and Dynatones released the rowdy, undernoted Curtain Call. That year Musselwhite also played the role of Alvin Reynolds in Martin Scorsese's epic Killers of the Flower Moon. Musselwhite's Look Out Highway marks the very first time in his long career that he's used his touring band in the studio. He, guitarist Matt Stubbs, drummer June Core, bassist Randy Burmudes, and Kid Andersen on piano and Hammond B-3 recorded the set at Andersen's Greaseland Studio in San Jose, California as well as in Musselwhite's new home in Clarksdale, Mississippi. Andersen engineered the set and assisted co-producers Henrietta "Henri" Musselwhite – Charlie's spouse, manager, and constant companion – and Gary Vincent.
1963 was a big year for instrumental guitar music, particularly surf music. "Pipeline" by The Chantays, "Wipeout" by The Surfaris, "Bombora " by The Atlantics , "Dance On" and "Foot Tapper" by The Shadows all topped the charts.
Inspired by "that sound", Martin Cilia, guitarist with legendary Australian surf band, The Atlantics, has taken a step into the solo spotlight with the release of "Revenge Of The Surf Guitar". This 16 track CD is his tribute to early sixties surf guitar music…