Cherubini

Giovanni Battista Viotti was a man of humble origins who studied with Gaetano Pugnani in the tradition of the Corelli school. By the age of 20 he was already an esteemed violinist, performing concerts in Geneva, Bern, Berlin and Saint Petersburg, and he eventually chose to settle in Paris. However, as a court musician for Marie Antoniette, he was forced to flee to London in 1792, where, a short while later, he was accused of spying on behalf of the Jacobins. He returned to Paris and was celebrated during the Restoration period, but eventually came back to London, where he died in poverty. Compositionally he serves as a bridge between the Classical period and the first signs of Romanticism, and he wrote an impressive 29 concertos for his own instrument, the violin. The 22nd, in A minor, shows his renowned compositional intelligence at its peak. Brahms, by no means known for the generosity of his opinions, wrote in a letter to Clara Schumann: “This concerto… is a magnificent piece, of remarkable freedom in its invention; it sounds as if [Viotti] were fantasising, and everything is masterfully conceived and executed”.

Thanks to the new Cherubini Edition, the composer’s unknown comic opera “Koukourgi” was staged for the first time in celebration of his 250th anniversary 2010. The premiere production of Luigi Cherubini‘s opera “Koukourgi” at the Klagenfurt Stadttheater revealed a work that combines a tale from ancient China with the sensibility of the French Revolutionary times of its composition. The three act opera sees a young Chinese man battling for the hand of his sweetheart against the Tartar mandarin Koukourgi, the not unlikeable anti-hero described as a large pumpkin. The turmoil in Paris led to Cherubini’s librettist Honoré-Nicolas-Marie Duveyrier being imprisoned in the Bastille and fleeing to Denmark.The opera was left with the finale incomplete and has remained unperformed for over two centuries.

Thanks to the new Cherubini Edition, the composer’s unknown comic opera “Koukourgi” was staged for the first time in celebration of his 250th anniversary 2010. The premiere production of Luigi Cherubini‘s opera “Koukourgi” at the Klagenfurt Stadttheater revealed a work that combines a tale from ancient China with the sensibility of the French Revolutionary times of its composition…

Riccardo Muti's 2011 performances of Saverio Mercadante's I due Figaro (The Two Figaros) were the first it had received since 1835, and this Ducale release of the presentation at the Teatro Alighieri in Ravenna, Italy, is the world-premiere recording. The story of this comic opera is a sequel to events in the Beaumarchais plays, which inspired Rossini's Barber of Seville and Mozart's Marriage of Figaro; the characters of Figaro, Susanna, Cherubino, and the Count and Countess Almaviva are seen a decade later in another farce of disguises and deception. The music is very much in the animated style of Rossini, with an exotic quality that Mercadante discovered on his visit to Madrid, and the mood of the opera is brightened by the combination of Neapolitan tunefulness and Spanish dance rhythms.