Like a number of live Chet Baker albums released over the last ten years, this one documents a concert that took place shortly before his tragic death (having recently resumed his drug habit, he fell from a hotel room window in 1988). Unlike most of them, though, this one shows him to have still been in complete control of his musical faculties, playing not just beautifully and well, but with energy and even speed despite his deteriorating health. His singing, too, sounds uncannily like that of the quiet young sex symbol he'd been in the 1950s, before age and heroin ravaged his face and emptied his eyes.
Jazz Ballads - the ultimate musical expression of feelings. A CD sets with the most beautiful ballads in the history of jazz. Lyrical, imaginative, sensuous and melodic jewels from the art of music. Precisely for those people who have maintained their taste for lasting musical values. Jazz in its most gentle form.
The Perfect Jazz Collection, 25 historic full length album recordings from the vaults of Columbia, Epic, RCA Victor and Bluebird labels. Remastered CD versions with extra tracks were available. Each album is packaged in a card wallet, in a nice facsimile vinyl format. If you want a history of Jazz, this is a bargain. Classic albums included are Miles Davis' Kind Of Blue, Dave Brubeck's Time Out, Billie Holiday's Lady In Satin, Nina Simone's Sings The Blues, Erroll Garner's Concert By The Sea, Charlie Parker's Bird and many more!
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Trumpeter Steve Gut's on the frontline here alongside the legendary Clark Terry and the great Dusko Goykovich – and the younger musician really manages to hold his own, and work well with the two master trumpeters! The setting is a larger group – the RTB Big Band – and all three players get a chance to solo – and the mighty Alvin Queen is in the group on drums, providing a soulful kick that maybe makes the album sparkle a bit more than usual for the RTB – although they've always had a great legacy of work with bigger name players, especially American ones. Titles include "Mr CT", "Black Triangle", "Stemi", "Summer Afternoon", "On The Road", "Some Memories", and "Blues To Clark".
Considering the legendary bassist Scott LaFaro released no albums as a leader and was known strictly as a sideman, that this recording exists is nothing less than a miracle, and an event in the annals of jazz. It consists of a brief program featuring five selections with the equally brilliant pianist Don Friedman and drummer Pete La Roca, a long rehearsal tape of "My Foolish Heart" with the Bill Evans Trio circa 1966, a 1966 interview about LaFaro with Evans, and a solo piano piece from Friedman done in 1985. So while only half of the disc faithfully features LaFaro's deep and honest bass playing, it is more than worthwhile to finally hear.
Exceptional balladesque album by the great darktoned trumpeter and his excellent young Polish quartet. There is a timeless feel to 'Soul of Things' that relates to Stanko's roots as a player. The forward-looking musician is also looking back here, and re-connecting with early influences. He triggers memories of his first heroes - memories of Miles, memories of Chet Baker - in his lonesome, soulful soliloquies.
Having worked early on with everyone from Charlie Parker and Charles Mingus to Chet Baker and Jimmy Giuffre, Canadian pianist Paul Bley created a solid jazz base for his own distinctly sparse and plaintive style. In the '60s he gravitated toward free jazz, but with less of the freneticism of a Cecil Taylor and more as a melancholic minimalist who would leave his mark on such introverted tinklers as Keith Jarrett. Since the dawn of the '70s, Bley has elaborated on his brand of chamber jazz via a slew of independent jazz labels, including Steeplechase, Soul Note, Owl, and hatART. But it's on the German ECM label where he has scored some of his most impressive triumphs; this 1986 session ranks high among his many solo and group outings for the label.