Verve Records was originally the product of the vision of jazz impressario Norman Granz (1918-2001). He formed the label in 1956 and moved all of the recordings released on his earlier Norgran Records and Clef Records labels to create the new Verve catalog.
The Perfect Jazz Collection, 25 historic full length album recordings from the vaults of Columbia, Epic, RCA Victor and Bluebird labels. Remastered CD versions with extra tracks were available. Each album is packaged in a card wallet, in a nice facsimile vinyl format. If you want a history of Jazz, this is a bargain. Classic albums included are Miles Davis' Kind Of Blue, Dave Brubeck's Time Out, Billie Holiday's Lady In Satin, Nina Simone's Sings The Blues, Erroll Garner's Concert By The Sea, Charlie Parker's Bird and many more!
While female jazz vocalists outnumber male jazz vocalists five to one, it would be a fallacy to believe there is not a wealth of talent among the men singers. With Louis Armstrong and Chet Baker now memories, and Mark Murphy vocalist and Jon Hendricks in twilight, as Kurt Elling ascends their throne, there exists a vocal diaspora of the most refined and sonically appealing voices singing, and they are all men. Andy Bey, Beat Kaestli, Henry Darragh and John Proulx all have beautifully sweet and slightly androgynous voices that are able to flatter a broad range of song types…
…In the same year he participated in the Jazz Festival of Messina. In 1987, he collaborated with George Garzone on tenor and trumpeter Jimmy Owens. But the meeting is what will have the most significant in 1988 with Joe Pass, who calls him to play as a guest during several concerts in a club in Rome. Inspired by this great jazz guitar virtuoso, talent Eddy Palermo is increasingly oriented towards the "one guitar"…
Exceptional balladesque album by the great darktoned trumpeter and his excellent young Polish quartet. There is a timeless feel to 'Soul of Things' that relates to Stanko's roots as a player. The forward-looking musician is also looking back here, and re-connecting with early influences. He triggers memories of his first heroes - memories of Miles, memories of Chet Baker - in his lonesome, soulful soliloquies.
Considering the legendary bassist Scott LaFaro released no albums as a leader and was known strictly as a sideman, that this recording exists is nothing less than a miracle, and an event in the annals of jazz. It consists of a brief program featuring five selections with the equally brilliant pianist Don Friedman and drummer Pete La Roca, a long rehearsal tape of "My Foolish Heart" with the Bill Evans Trio circa 1966, a 1966 interview about LaFaro with Evans, and a solo piano piece from Friedman done in 1985. So while only half of the disc faithfully features LaFaro's deep and honest bass playing, it is more than worthwhile to finally hear.