The first half of the twentieth century marks the birth of three masterpieces for violin and piano, each bearing the traits of its author and echoing the thriving creativity of the time. Aylen Pritchin and Lukas Geniusas lead us through this mesmerizing exploration that extends from Debussy’s evocative power to Stravinsky’s modernism, without neglecting the nostalgic gaze of Hahn. Behold a sublime panorama of the rich and turbulent years of a musical France.
There is an enormous amount to admire in Munch’s reading of Saint-Saëns’ ‘Organ’ symphony, right from the glowing strings of the opening through to the truly superbly articulated first-movement climax. Munch gets real delicacy from his Bostonians in the Poco adagio, and the organ’s entry in the finale is certainly highly impressive. Perhaps the Scherzo could be more on-the-ball, though. This remains one of the top recommendations for this piece.
Charles Owen and Katya Apekisheva perform a stunning selection of French 20th-century music for piano four hands. Both Milhaud and Poulenc were members of Les Six, a band of composers who specialised in producing colourful, quirky and highly original scores. Milhaud’s Scaramouche epitomises the wit and joie de vivre of this approach and has become one of his most popular works – although at the time the composer nearly forbade its publication. Poulenc combined grace and sparkling humour with a nobility that reflected his desire for a ‘return to simplicity’. His Élégie was written ‘as if improvising with a cigar in your mouth and a glass of cognac on the table’, while the Sonata for Four Hands is full of finger-crossing intricacies, and at the heart of the Sonata for Two Pianos is an Andantino described by the composer as ‘a lyrical, profound outburst… It is piano without pretence, real piano where each instrument converses with the other in perfect understanding and without interrupting.’ Debussy’s evocative Nocturnes arranged by Ravel conclude the release.
A tribute to Arturo Benedetti Michelangeli, a veritable mythic and unpredictable Italian pianist,; a perfectionist with a carefully chosen repertory in which Scarlatti's works joined those of Debussy and Ravel, while the great German romantics, from Beethoven to Brahms, were magnified and exalted, showing the soundness of their construction. The number of his recordings is limited, with mostly works by Debussy and Ravel and a few by Beethoven. He used to buy pirate live discs of his concerts as presents for his friends instead of his 'official' recordings! Here is a French anthology collecting legendary renderings of his inimitable touch easy to recognise by its ductile nature and the purity of his style. A revived masterpiece.
As promised, here comes some more Bavouzet… For lovers of Debussy, and great piano playing, this is essential listening !
'Absorbing playing from a French pianist with something new to say about these much-recorded piano masterpieces, and an interpretative range that calls upon clarity, haziness and Lisztian panache as appropriate.'
Telegraph ‘CDs of the year’
'Bavouzet plays even such neglected gems as the Ballad and Valse romantique as though he were suspended in a dream-world, revelling in the music’s multi-layered sonic terracing with a captivating range of keyboard touch and micro-pedalling…. Playing that takes us through new realms of experience.'
'Diapason d’Or 2008'
Edit: Now in Mp3!!!!