"…Though their impact on the emergent forms of house and techno was huge, D.A.F. has never achieved the recognition they so richly deserve. Nevertheless, for the longest time even Kraftwerk weren't recognized for their contribution to hip-hop, and perhaps ultimately D.A.F. will get their due: they represent one of a very few direct links between avant-garde punk and techno, and flung their lance into the future farther even than Throbbing Gristle."
"…Though their impact on the emergent forms of house and techno was huge, D.A.F. has never achieved the recognition they so richly deserve. Nevertheless, for the longest time even Kraftwerk weren't recognized for their contribution to hip-hop, and perhaps ultimately D.A.F. will get their due: they represent one of a very few direct links between avant-garde punk and techno, and flung their lance into the future farther even than Throbbing Gristle."
#KingButch—hashtag proudly attached—is the title of Butcher Brown’s soon-to-be top-trending album, the eighth in the band’s up-from-the-roots legacy, and their first with Concord Records, on the Concord Jazz imprint. The 13 tracks collectively represent a bold step forward for the 5-piece group from Richmond, Virginia. Remaining true to the group’s heady fusion of contemporary hip-hop, ‘70s fusion, ‘60s jazz and funk—even echoes of Southern rock and marching band music show up—#KingButch is a powerfully original statement that reaches across divisions of genre, generation, ethnicity, and geography. Significantly, the new recording also reveals a side of Butcher Brown that’s been developing and is now in full-flower: a song-crafting, studio maturity on a par with their national reputation as an explosive live act.
Although Viktoria Mullova released a recording of Bach's three partitas for solo violin for Philips in 1994, she never had the opportunity with Philips to record their companion pieces, the three sonatas for solo violin, so this 2009 Onyx recording is Mullova's first complete recording of all six of these milestone works. In the intervening years, the Russian virtuoso has grown as a technician and as an interpreter. Mullova's tone is still large, but she has developed deeper subtlety.
"…Though their impact on the emergent forms of house and techno was huge, D.A.F. has never achieved the recognition they so richly deserve. Nevertheless, for the longest time even Kraftwerk weren't recognized for their contribution to hip-hop, and perhaps ultimately D.A.F. will get their due: they represent one of a very few direct links between avant-garde punk and techno, and flung their lance into the future farther even than Throbbing Gristle."
Throughout a chequered career Arthur Brown has never been one to play by the rules and when the chart topping The Crazy World Of Arthur Brown split nobody knew what the band’s namesake would do next. When he resurfaced several years later it was with the proto-prog, avant-garde Kingdom Come, a band so way out that time is only just catching up. Eternal Messenger: An Anthology 1970-1973 collects the band’s three albums along with a rare jam session and a disc of radio sessions to make the perfect introduction to Arthur Brown’s crazy world…
Conductor Wilhelm Furtwangler already enjoyed a worldwide legendary standing during his lifetime - he was considered the German conductor and performances were greeted with rapturous applause. Today, more than 50 years after his death, Wilhelm Furtwangler is still an icon and his work has become an integral part ofthe music scene.
The word ‘legend’ is thrown about so nonchalantly these days that it’s lost a great deal of its shine. But there are still some artists for whom the word is far too feeble. Not many. But Carole King is definitely one of them. Ms. King is one of the truly indelible voices of rock and roll. In the 1960s, along with one time husband Gerry Goffin, she penned a string of unforgettable hits for other artists that reads like a roster of some of the best pop/rock tunes ever recorded: “Chains”, “The Locomotion”, “You Make Me Feel Like a Natural Woman”, “Will You Love Me Tomorrow” and “Up on the Roof” are just a few. In the 70s, with some encouragement, she decided to put some of her songs to record herself.