End Day (2005)

Infinite Scale is a producer, DJ, broadcaster, and musician. Scale started making music in 1997 with an Ensonic EPS 16+ 2mb sampler, which he still uses in his studio set up to this day. He has been commissioned to compose music for the BBC, both on radio and TV, and has done sessions for the late great Breezeblock on Radio 1, and at Maida Vale for The Blue Room.
'Sound Sensor' is an amblicated cold-fusion of electronica, electro, hip-hop and IDM all of which are coaxed into an effervescent whole…

“The Other Mozart” is Franz Xaver, son of Wolfgang Amadeus, who was born in the year of Wolfgang Amadeus’s death, 1791. Franz Xaver lived into the era of high romanticism and died in 1844. Franz Xaver’s lineage, some enthusiastic early reports from his teachers (not least Salieri!) and the influence of his mother, Mozart’s widow Constanze, ensured that Franz Xaver’s talents as a pianist and composer allowed him a career. He grew up and lived his last years in Vienna, but spent most of his adult life in and around Lvov (in present-day Ukraine). Constanze complained of his easy-going nature; whether this was the cause of his limited success is not known.

Recorded live at The Basement, Sydney, Australia on 7th February 2003, ex-Deep Purple keyboard player and legend Jon Lord treats us to a lavish selection of blues classics. Taking on both acoustic and electric blues, it's mainly the Australian Hoochie Coochie Men who do the job whilst Lord adds his unique Hammond playing to the songs[…]it sounds like the audience and the band alike had a wonderful evening resulting in a unique collaboration, and documents the very first time Jon Lord has played the blues since before founding Deep Purple.

John McCabe's recording of Herbert Howells' clavichord music is a chance to hear some twentieth century music inspired by C.P.E. Bach's favorite instrument. While other composers were re-discovering the harpsichord, Howells' love for early English music and the instruments of two modern clavichord makers led to the composition of the three sets of miniatures: Lambert's Clavichord and Howells' Clavichord Books One and Two. Howells dedicated every piece in each set to a friend, and in the last two sets he even sometimes attempted to put something of the dedicatee into the music, whether it was a description of that person's character or an imitation of a fellow composer's style. Howells' titles, and in many instances the style of the piece, is a reference to the keyboard compositions of the English virginalists of the late sixteenth/early seventeenth centuries. On the one hand, "Lambert's Fireside" and "Goff's Fireside," named after Herbert Lambert and Thomas Goff, the two clavichord makers, are almost completely idiomatic of virginal music. On the other, the meandering tonality of "Rubbra's Soliloquy" and "E.B.'s Fanfarando" marks them as twentieth century compositions.