George Martin In My Life

One might be forgiven for thinking Beatles Baroque III by Les Boréades would actually sound Baroque, as it and two previous volumes are billed, but such is not the case. Even though this Canadian early music ensemble has impressive credentials, and plays the repertoire from Frescobaldi to C.P.E. Bach with aplomb, its performances on this disc are overwhelmingly modern in feeling and not too far removed from the actual music produced by the Beatles and George Martin in the 1960s.

Cilla Black wasn't a natural singer when the Beatles' manager, Brian Epstein, discovered her, and while she learned the ropes well enough and developed into a strong ballad singer, she was never a serious threat to Dusty Springfield in the talent department. But the pop world isn't really about pure talent as much as it is a matter of timing, luck, having the right look, and maybe most of all, good material and good production.

Jeff Lynne's ELO - Alone In The Universe (2015) {Japan Blu-spec CD2 Limited Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 286 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 300 dpi (png) -> 59 Mb | 5% repair rar
© 2015 Big Trilby Records / Columbia / Sony Music Japan | SICP-30890
Rock / Contemporary Rock / Contemporary Pop

Jeff Lynne's ELO brings the first CD in 14 years. Features Blu-spec CD2 format and contains 13 tracks total, including a Japan only bonus track "On My Mind" and two bonus tracks for this edition. Comes with a description and lyrics. Alone in the Universe isn't the first Jeff Lynne album of the 21st century, nor is it the first Electric Light Orchestra of the 21st century. That honor belongs to Zoom, a 2001 comeback that faded quickly into history books, its lack of success blamed in some quarters on Lynne's reluctance to tour. If Jeff didn't want to hit the road, his old bandmate Bev Bevan had no problem constituting a lineup and touring under the name ELO Part II, whose presence somewhat explains why Alone in the Universe is credited to the somewhat convoluted Jeff Lynne's ELO – a truncation of the band's full name that also assigns credit where it's due, as most listeners associate this majestic post-Abbey Road pop with Lynne alone.