Glow Soundtrack

The soundtrack feature the score by Trent Reznor and Atticus Ross, the music of Jon Batiste and features a duet performance of the 1960's Soul classic "It's All Right" (originally by The Impressions) by Celeste and Batiste. Disney and Pixar’s feature film “Soul” introduces Joe Gardner, a middle-school band teacher with a serious passion for jazz music. The story is particularly relatable to the artists behind it. For Jamie Foxx, who lends his voice to Joe, it begins with jazz. “Like Joe, I hear music in everything,” said Foxx. “When you’re a jazz artist, man, you talk a little different: ‘Hey, cat!’ I got a chance to go to a few jazz fests and meet Herbie Hancock, Chick Correa—hang out with those guys. They have a way of talking, a way of dressing—everything funnels toward their music, toward the jazz."

Benny Goodman was the first celebrated bandleader of the Swing Era, dubbed "The King of Swing," his popular emergence marking the beginning of the era. He was an accomplished clarinetist whose distinctive playing gave an identity both to his big band and to the smaller units he led simultaneously. The most popular figure of the first few years of the Swing Era, he continued to perform until his death 50 years later.

Sunkissed Grooves & Blissed Out Moods - Blank & Jones präsentieren mit ihrem neuen RELAX Werk den Soundtrack zum Sommer. Der unverwechselbare RELAX Sound gehört seit dem genre-definierenden Debut im Jahr 2003 einfach fest zu jedem Sommer und verbreitet sofort Urlaubsfeeling pur.Playlists kommen und gehen, aber die RELAX Alben bleiben immer Teil der Erinnerungen an die schönste Zeit des Jahres. Perfekt abgestimmt, aus einem Guss und doch abwechslungsreich. Mehr braucht man nicht für den perfekten Tag am Meer. "The Feel Good Album For Sunsets".

Somewhere there exists an alternate reality in which the cinema, the old cinema, was never eroded by television — a world where teenage lovers still flee small towns for ninety minutes at a time to revel in the extravagant fantasies of the silver screen, movie theatre marquees on every block beckoning with the warm glow of incandescent bulbs & titles that evoke the mysteries found therein. Here the movies still bear the faint edge of danger & the unknown, the erotic thrill of a dream, everything raining color. Closer to Grey is the soundtrack of that world. A Technicolor epic in mellotron & theremin, organ & celeste. It sounds like a reverie — a communiqué from a more romantic place.