I Brew U Brew

Stevie Wonder is a much-beloved American icon and an indisputable genius not only of R&B but popular music in general. Blind virtually since birth, Wonder's heightened awareness of sound helped him create vibrant, colorful music teeming with life and ambition. Nearly everything he recorded bore the stamp of his sunny, joyous positivity; even when he addressed serious racial, social, and spiritual issues (which he did quite often in his prime), or sang about heartbreak and romantic uncertainty, an underlying sense of optimism and hope always seemed to emerge. Much like his inspiration, Ray Charles, Wonder had a voracious appetite for many different kinds of music, and refused to confine himself to any one sound or style.

This Rhino U.K. 2012 budget-priced box set rounds up the prime of the Replacements: five albums, beginning with their debut Sorry Ma, Forgot to Take Out the Trash, continuing with the Twin/Tone landmarks Hootenanny and Let It Be, then concluding with their major-label debut Tim and their first post-Bob Stinson album Pleased to Meet Me. These aren't the expanded versions Rhino put out in the 2000s; they're just the albums, but that's enough to make this a worthwhile purchase, particularly at this price. The Replacements were an American rock band formed in Minneapolis, Minnesota in 1979. Initially a punk rock band, they are considered one of the pioneers of alternative rock.

Although Cream were only together for a little more than two years, their influence was immense, both during their late-'60s peak and in the years following their breakup.

After giving Clarke's fans a taste of some live tapes of the School Days band on I Wanna Play for You, Epic waited until 1991 to put another batch of them out, well after it would have been commercially feasible to do so. But no matter, for this CD captures one of Clarke's best electric bands – maybe his best band, period – in a number of gigs in the U.S. and U.K., mixing up the jazz, funk, and rock into a high-energy, musically literate brew. A lot of this album recycles then-existing material, but the live conditions add flashes of spontaneity and sometimes considerable interest to jazz fans.

Mungo Jerry are one of rock's great one-hit successes. Outside of England, they're known for exactly one song, but that song, "In the Summertime," is a seasonal anthem known by listeners who weren't even born when it was released. Mungo Jerry was a solid blues outfit as well – in fact, one suspects they were the kind of blues band that purists Alexis Korner and Cyril Davies would have loved, had they ever intersected – and knew how to get the most out of their jug band sound, which helped them survive for decades.

So what is funk? It’s sometimes difficult to know. In the 1950s, the piano style of both Ray Charles and Horace Silver were described as funk, and the word itself has long associations with black music, going back even further into history. Clearly the success of James Brown at the tail end of the 1960s—say from “Cold Sweat” onwards—established the funk era, but the Godfather of super-heavy funk had already set out his stall with “Papa’s Got A Brand New Bag” and “I Got You (I Feel Good)” in 1965. At the same time a series of productions he recorded with Bobby Byrd, James Crawford, and others saw him slowly perfect his groove.

The Köln Concert is a concert recording by the pianist Keith Jarrett of solo piano improvisations performed at the Opera House in Cologne (German: Köln) on January 24, 1975. The double-vinyl album was released in 1975 by the ECM Records label to critical acclaim, and went on to become the best-selling solo album in jazz history, and the all-time best-selling piano album, with sales of more than 3.5 million.