These box sets from One Day Music are something special - some hit and misses, but you get that with any CD collection…and of what is good or bad is a personal choice. The recordings on this three-CD compilation date from the years 1953 to 1960 and fall into two categories: rare recordings by well-known names and one-off recordings by more obscure acts.
Charting Island’s rise from its very origins in to the modern age, War Ina Babylon not only provides a fascinating insight into the changing sound of Jamaican music over the past 40 years, but also brings together some of the greatest ska, rock steady and reggae recordings of all time.
Quentin Tarantino established himself as one of the few filmmakers to effectively use pop music with his first film Reservoir Dogs, a movie where the music was integral to the success of the film yet also worked well as a collection of songs. Jackie Brown, Tarantino's long-awaited third feature, finds him exploring new territory, creating an homage to blaxploitation flicks as well as a surprisingly subtle character study and love story, and its soundtrack appropriately finds him in new territory as well. The soundtrack still features snippets of dialogue, which simply aren't as effective separated from the film as those from Pulp Fiction, but the unified collection of '70s soul and funk is refreshing. He has wisely selected a batch of songs that haven't been worn out by oldies radio, building the bulk of the album with cult favorites like Bobby Womack's "Across 110th Street," Bill Withers' "Who Is He (And What Is He to You?)," Randy Crawford's "Street Life," Minnie Riperton's "Inside My Love".
Hava Nagila, man erkennt es sofort, als musikalische Blaupause für alles Jüdisches, als eine fröhliche Party-Melodie, zu der man auf Hochzeiten, Bar Mitzvahs und sogar bei Major League Baseball Spielen tanzt. Es produziert ein wehmütiges Lächeln, Erinnerungen an vergangene Generationen… Aber der Song ist viel mehr als ein kitschiges jüdisches Märchen und schlechte Bar Mitzvah Mode. Es enthält eine komplette historische Konstellation, Werte und Hoffnungen für die Zukunft. Auf seine ganz eigene »Glaub-Es-Oder-Nicht« Art und Weise, schließt »Hava Nagila« die gesamte jüdische Reise der letzten 150 Jahre ein. Es entfesselt zudem die gesamte Kraft eines Liedes, Identität ausdrücken und bewahren zu können und Lehren zwischen Generationen auszutauschen sowie kulturelle Unterschiede zu überbrücken und uns alle auf einer universellen Ebene zu vereinigen…